ly Gra
ean in a black trench coat, his face framed by gold-rimmed glasses. Behind hi
n the opulent chaos, before landing on me. For a fleeting mome
irst thing he did was not check my pulse, but pull on a pa
rmured to an assistant, his fingers gently finding the pulse
tandard first-aid kit. It was a mobile operating theater in m
e swelling bruise on my temple. His gaze traveled down to my split lip, then to the distinct, finger-shaped bruises blooming
ter began to fill the room as he photographed every bruise, every cut, from multiple angles, a small ruler placed beside each injury f
yes opened to see a stranger's face close to mine, his expression on
professionalism softened. "It's okay," he said, his voice low a
cles. I stopped struggling, my breathing evening out, though I still watched
dence while you were unconscious," he explained. "Now
t with the camera, and I finally understood Hel
ements impossibly delicate, a stark contrast t
I asked, my vo
s eyes were a storm of complex emotions. "Under federal law," he said, his voice flat, clinical, as if he were reading
felt the rage simmering just b
ng each sample in a labeled evidence bag. I watched them, a strange sense of detachment settling over me. The fire of my own rage, which
y IV. The relief was immediate, a warm, numbing tide that washed aw
, and stood up, the cool, detached professional once
ked, the question seemingly unr
a painful th
ing his eyes. "The legal process is long," he said, his voice droppi
the silent room. I could see past the reflection now, see the cold, lethal int
e him for you? In a way.
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