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The Angel in the House

Chapter 5 No.5

Word Count: 1539    |    Released on: 04/12/2017

olor-

a figure clad in a white surgeon's smock emerged. He was a white man, tall, with highly intelligent face but eyes

it r

rd,"-ton

hind them as they stepped inside. "This is my main laboratory.

purpose he could not even guess at; in one place there was a table strewn with tangled shapes of wire, rows of odd-bulging tubes and other apparatus; and conspicuous by one door was an ordinary operating table, with light

work of fine-drawn colored wires. Shimmering, like the gossamer threads of a spider's spinning, they wove up

he eyes of anyone sitting there. Ropes were reeved through pulleys in the ceiling, for raising the wire-ball device to permit en

o the question he curtly a

ations. Nothing harmful, though, however much they may tire you. Now!" He gave a sign; one of his assistants touche

he laboratory then as his bleak gray eyes met and held

I do

ian gestured apologe

our white assistants.... No hope. No chance for anything. He looked at the negro. "Don't move, Friday," h

ou have said that this would not permanently harm me, and, although I know you for the most deadly, vi

did not alter one bit at this. Carse

m some recess a little cone, trailing a wire, like a microphone. A breathless silence hung over the laboratory. The white-clad figures stood like statues, dumb, unfeeling, emotionless. The watching negro trembled, his mouth hal

heir stead was color, every color in the spectrum. Like waves rhythmically rising and falling, the tinted brilliances dissolved back and forth through each other; and the reflected light, car

autiful colors began to float over its face, colors never still but constantly weaving and clouding into an infinity of combinatio

he was being electrocuted, he made a rash rush to destroy the device and free him. He learned discretion when two r

and watched the color-maelstrom. His face was contorted; his cheek muscles stood out weltlike in his sweat-glisten

herefore he attempted to seal his mind. He fastened it on something definite-on Iapetus, satellite of Saturn, and his ranch there-and barred every other t

im, submerged him, fatigued him. He had a

ns. All this.... Continued without c

at drowsiness stole over him; but he fought it off, his brain beating out hundr

excrucia

thoroughly disorganized before it again took up the drone about Iapetus. Recovery ... dullness ...

s Eliot

ant a great deal and sh

b of agony. A

s Eliot

ce could in no way be avoided. It was everywhere about him, over, around, under him; he began to see it. Desperately he

apetus-I have a ranch there-Where is Eliot Leithgow-I have a ranch there-a ranch there-Iape

and ten minutes

s own close concentration on his Iapetus ranch-these were too much for any human body to stand against. He lost his grip on his mind, lost the fine control that had

came from the heart

III-Port o' Porno, Satelli

errupted him;

se is nu

574-5

Eurasian. "Port o

pool of colors faded; the laboratory returned to comparative di

s flaxen head bowed over on his chest, his eyes closed

loor was another u

had f

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The Angel in the House
The Angel in the House
“Coventry Kersey Dighton Patmore was born on July 23rd 1823 at Woodford in Essex. Although he is still relatively unknown his stature as a Victorian Poet continues to increase. After some uneven success at writing poetry in 1846 Coventry came to the post of printed book supernumary assistant at the British Museum, a post he occupied for nineteen years, devoting his spare time to poetry. In 1853 he was to republish Tamerton Church Tower, the more successful of his pieces from Poems of 1844, adding several new poems which showed the great strides he had made in both concept and execution. In 1854 the first part of his much loved The Angel in the House appeared. In 1877 he published The Unknown Eros, which contains his perhaps finest poetic work, and in the following year Amelia, his own favourite among his poems. It is at this time that he also began to write essays beginning with English Metrical Law. Following this in 1879 with a volume of papers entitled Principle in Art, and in 1893 with Religio Poetae. This volume, the first of two on his poems contains Books I & II of the Angel in the House.”
1 Chapter 1 No.12 Chapter 2 No.23 Chapter 3 No.34 Chapter 4 No.45 Chapter 5 No.56 Chapter 6 No.67 Chapter 7 No.78 Chapter 8 No.89 Chapter 9 No.910 Chapter 10 No.1011 Chapter 11 No.1112 Chapter 12 No.1213 Chapter 13 No.13