a had dressed carefully for this meeting not in her usual artistic, slightly paint-stained clothes, but in a professional black dress that she had bought yea
when the receptionist said he was busy, Elara had said she would wait. She had sat in the sleek lobby for
Elara had followed her to the elevators, her heart pou
rmous, all glass and steel and minimalist furniture. Floor-to-ceiling windows displayed the city below like a c
ok up immediately. When he finally did, his blue eyes were cold and assessi
ontrolled. "This is unexpected. I don't typic
rself to stand tall despite the trembling in her
f his mouth. "I'm not doing anything, Miss Vance. I'm simply conducting
ith anger now. "You've been sabotaging my suppliers, scaring away my
d, his tone conversational, as if
mitted. "But I
prime location. From a purely economic standpoint, it makes sense for me to acquire the property and develop it. You're fig
s his life's work. It's a place where artists can be discovered, where beauty
or might have been contempt. "Your father's gallery is a relic of a dying era. The world doesn't care about art, Mi
ere to cry. She had come here to fight. "There has to be something I can offer you,"
culation happening behind his eyes. He was assessing her, weigh
d slowly, "there m
leaped with
d, the words falling b
s certain she had mish
will save your gallery, pay off your father's medical bills, and ensure that your family is financially se
erstand if this was some kind of c
pay for what I want. Your gallery is valuable to you, and I'm offering
ne," Elara
ntion, your gallery will be bankrupt within three months. Your father will lo
fer would be the biggest mistake of her life. But as she looked at Julian Thorne at the cold, controlled man
o think about
my original plan. Your gallery will be bankrupt, your father will be in a nursing home, and you'l
ed. As she rode the elevator down, she caught her reflection in the polished steel. She look
choice di
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