“I returned to the Reeves estate after five years in exile, not as the rightful heir, but as an outcast. My father had been dead for only a month, and my uncle Julian had already claimed his mahogany desk, his face tight with a greed he no longer bothered to hide. Julian didn't even look up as he slid a check for a hundred thousand dollars across the wood. "A settlement," he sneered. "Sign the waiver, take your bastards, and disappear. We don't want you embarrassing the family name anymore." One hundred thousand dollars for a legacy worth billions-it was an insult designed to draw blood. When my five-year-old twins, Leo and Mia, ran into the room, Julian looked at them with pure disgust, calling them vermin and ordering them out. He threatened that if I didn't sign, I'd be on the street in a week, stripped of the Reeves name and every penny of protection. Even the family lawyer looked away as he helped facilitate my ruin. I tore the check to shreds and walked out into a freezing deluge, shielding my children while the doors of my childhood home slammed shut behind us. I spent years building a secret life as a high-level corporate fixer, yet when I crossed paths with Branson Reeves-the man who shared my son's eyes-he treated me like a common gold-digger. He outbid me for the "Midnight Orchid" painting, the only piece of evidence that could bring Julian down, mocking my "thrift store" clothes while my children slept in a borrowed guest room. How could they all be so blind? How could a family be so ready to destroy its own blood for the sake of a ledger? I was done hiding in the shadows. When Julian finally launched a hostile takeover to seize the entire empire, I walked into Branson's penthouse, dropped my "poor niece" facade, and threw a decrypted file onto his desk. "The game is over, Branson. Give me that painting, and I'll show you exactly how to bury the man who thinks he's already won."”