sie
e to the firm Ethan and I had planned, the firm where I would have been the lead architect, the creative force. I had poured years of my lif
ooked up in surprise when I handed the envelope to my boss.
oice steady. "I've accepted an a
. what about the wedding?" someone murmured, voicing the
s off too. New plans." My colleagues exchanged uneasy glances. They didn't know the
I heard voices from inside. Two voices. One was Ethan's, the other, unmistakably, Kie
in her hand. Ethan was stroking her hair, a look of tender concern on his face. He looked up, startled, a
oo loud, a little too innocent. He suddenly noticed the two suitcase
lf-empty wine bottle, the scattered throw pillows, the shoes kicked off beside the c
he glanced around the living room. "Did you... move
. "Marie Kondo-ing, you know. Decluttering." I wasn't about
You look a little pale. The wedding planning must be so stressful! You know, Mark and I just elo
her hand. A cold dread seeped i
d, fixing my gaze on her. "And as for the w
led off? Cassie, what
, this is terrible news! But, you know," she turned to me, a smug glint in her eyes, "perhaps it's for the best. After all, I am
he was building, with her, under my nose. He looked at Kiera, then at me, his face a mixture of
nveiling of a secret I was never meant to know. The apartment, once o
solidified into an unyielding block of ice. There was no turni
hollow. I managed a small, almost imperc
I didn't wait. I turned, my steps deliberate, and retreated to the guest bedroom,
ought they had finally pushed me out. But they were wrong. This wasn't their victory; it was my liberation. Kiera wasn't an innocent victim; she was a
ast box. My hands didn't shake. My eyes were dry
y gone, long before I ever walked out that
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