The Idea Of You

From a believer in such a theory, which illustrates the limitations of men's outlook on the world in the Renaissance period, we could perhaps hardly expect a vision of Progress. The best that can be said for it is that, both here and in his astrological creed, Bodin is crudely attempting to bring human history into close connection with the rest of the universe, and to establish the view that the whole world is built on a divine plan by which all the parts are intimately interrelated. [Footnote: Cp. Baudrillart, J. Bodin et son temps, p. 148 (1853).

This monograph is chiefly devoted to a full analysis of La Republique.] He is careful, however, to avoid fatalism. He asserts, as we have seen, that history depends largely on the will of men. And he comes nearer to the idea of Progress than any one before him; he is on the threshold.

For if we eliminate his astrological and Pythagorean speculations, and various theological parentheses which do not disturb his argument, his work announces a new view of history which is optimistic regarding man's career on earth, without any reference to his destinies in a future life. And in this optimistic view there are three particular points to note, which were essential to the subsequent growth of the idea of Progress. In the first place, the decisive rejection of the theory of degeneration, which had been a perpetual obstacle to the apprehension of that idea. Secondly, the unreserved claim that his own age was fully equal, and in some respects superior, to the age of classical antiquity, in respect of science and the arts. He leaves the ancients reverently on their pedestal, but he erects another pedestal for the moderns, and it is rather higher. We shall see the import of this when we come to consider the intellectual movement in which the idea of Progress was afterwards to emerge. In the third place, he had a conception of the common interest of all the peoples of the earth, a conception which corresponded to the old ecumenical idea of the Greeks and Romans, [Footnote: See above, p. 23.] but had now a new significance through the discoveries of modern navigators. He speaks repeatedly of the world as a universal state, and suggests that the various races, by their peculiar aptitudes and qualities, contribute to the common good of the whole. This idea of the "solidarity" of peoples was to be an important element in the growth of the doctrine of Progress. [Footnote: Republique, Book v. cap. 1 (p. 690; ed. 1593); Methodus, cap. vi. p. 194; cap. vii. p. 360.]

These ideas were in the air. Another Frenchman, the classical scholar, Louis Le Roy, translator of Plato and Aristotle, put forward similar views in a work of less celebrity, On the Vicissitude or Variety of the Things in the Universe. [Footnote: De la vicissitude ou variete des choses en l'univers, 1577, 2nd ed. (which I have used), 1584.] It contains a survey of great periods in which particular peoples attained an exceptional state of dominion and prosperity, and it anticipates later histories of civilisation by dwelling but slightly on political events and bringing into prominence human achievements in science, philosophy, and the arts. Beginning with the advance of man from primitive rudeness to ordered society-a sketch based on the conjectures of Plato in the Protagoras-Le Roy reviews the history, and estimates the merits, of the Egyptians, Assyrians and Persians, the Greeks, Romans and Saracens, and finally of the modern age. The facts, he thinks, establish the proposition that the art of warfare, eloquence, philosophy, mathematics, and the fine arts, generally flourish and decline together.

But they do decline. Human things are not perpetual; all pass through the same cycle-beginning, progress, perfection, corruption, end. This, however, does not explain the succession of empires in the world, the changes of the scene of prosperity from one people or set of peoples to another. Le Roy finds the cause in providential design. God, he believes, cares for all parts of the universe and has distributed excellence in arms and letters now to Asia, now to Europe, again to Africa, letting virtue and vice, knowledge and ignorance travel from country to country, that all in their turn may share in good and bad fortune, and none become too proud through prolonged prosperity.

But what of the modern age in Western Europe? It is fully the equal, he assevers, of the most illustrious ages of the past, and in some respects it is superior. Almost all the liberal and mechanical arts of antiquity, which had been lost for about 1200 years, have been restored, and there have been new inventions, especially printing, and the mariner's compass, and "I would give the third place to gunnery but that it seems invented rather for the ruin than for the utility of the human race." In our knowledge of astronomy and cosmography we surpass the ancients. "We can affirm that the whole world is now known, and all the races of men; they can interchange all their commodities and mutually supply their needs, as inhabitants of the same city or world-state." And hence there has been a notable increase of wealth.

Vice and suffering, indeed, are as grave as ever, and we are afflicted by the trouble of heresies; but this does not prove a general deterioration of morals. If that inveterate complaint, the refrain chanted by old men in every age, were true, the world would already have reached the extreme limit of wickedness, and integrity would have disappeared utterly. Seneca long ago made the right criticism. Hoc maiores nostri questi sunt, hoc nos querimur, hoc posteri nostri querentur, eversos esse mores.... At ista stant loco eodem. Perhaps Le Roy was thinking particularly of that curious book the Apology for Herodotus, in which the eminent Greek scholar, Henri Estienne, exposed with Calvinistic prejudice the iniquities of modern times and the corruption of the Roman Church. [Footnote: L'Introduction au traite de la conformite des merveilles anciennes avec les modernes, ou traite preparatif a l'Apologie pour Herodote, ed. Ristelhuber, 2 vols., 1879. The book was published in 1566.]