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Disparate Utopia

Pampered By The Ruthless Biker Boss

Pampered By The Ruthless Biker Boss

Anywho
After six years away, I returned to my hometown with a single suitcase and a picture of my fiancé tangled up with my stepsister. I thought it was just a simple, disgusting betrayal, but when I planted a bug in their private suite to get a confession, I heard a truth that froze my blood. My fiancé, Leo, laughed about how my own father had already signed over my mother's legacy—The Nightingale Ranch—as collateral to his powerful family. "Once this is all done, Claire will have nothing. And the woman you marry will be me," my stepsister Jenna cheered. Leo cooed back, calling me a stray dog he'd kick to the curb once he was bored, a worthless woman who couldn't even hold onto her family's land. My family had sold me out, and the man I loved was planning to leave me with absolutely nothing. I didn't cry. The pain burned away into a cold, hard hate. How could my own father conspire with them to destroy the only thing I had left of my mother? I crashed their prestigious charity auction and played their filthy recording over the speakers for the entire town to hear. But when Leo charged at me in a murderous rage, a wall of leather and muscle stepped in front of me. Kade "Chaos" Peterson, the terrifying President of the rival motorcycle club, crushed Leo's wrist and announced to the stunned room, "She's with me now."
Romance BetrayalFlash marriageSweetRomanceBadboyRevengeDark Romance
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This book is in all probability the last of a series of writings, of which — disregarding certain earlier disconnected essays — my Anticipations was the beginning. Originally I intended Anticipations to be my sole digression from my art or trade (or what you will) of an imaginative writer. I wrote that book in order to clear up the muddle in my own mind about innumerable social and political questions, questions I could not keep out of my work, which it distressed me to touch upon in a stupid haphazard way, and which no one, so far as I knew, had handled in a manner to satisfy my needs.

But Anticipations did not achieve its end. I have a slow constructive hesitating sort of mind, and when I emerged from that undertaking I found I had still most of my questions to state and solve. In Mankind in the Making, therefore, I tried to review the social organisation in a different way, to consider it as an educational process instead of dealing with it as a thing with a future history, and if I made this second book even less satisfactory from a literary standpoint than the former (and this is my opinion), I blundered, I think, more edifyingly — at least from the point of view of my own instruction. I ventured upon several themes with a greater frankness than I had used in Anticipations, and came out of that second effort guilty of much rash writing, but with a considerable development of formed opinion. In many matters I had shaped out at last a certain personal certitude, upon which I feel I shall go for the rest of my days. In this present book I have tried to settle accounts with a number of issues left over or opened up by its two predecessors, to correct them in some particulars, and to give the general picture of a Utopia that has grown up in my mind during the course of these speculations as a state of affairs at once possible and more desirable than the world in which I live. But this book has brought me back to imaginative writing again. In its two predecessors the treatment of social organisation had been purely objective; here my intention has been a little wider and deeper, in that I have tried to present not simply an ideal, but an ideal in reaction with two personalities. Moreover, since this may be the last book of the kind I shall ever publish, I have written into it as well as I can the heretical metaphysical scepticism upon which all my thinking rests, and I have inserted certain sections reflecting upon the established methods of sociological and economic science. . . .

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A Modern Utopia

A Modern Utopia

H. G. Wells
Because of the complexity and sophistication of its narrative structure, H.G. Wells's A Modern Utopia (1905) has been called "not so much a modern as a postmodern utopia." The novel is best known for its notion that a voluntary order of nobility known as the Samurai could effectively rule
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A Modern Utopia

A Modern Utopia

H. G. Wells
A Modern Utopia is a 1905 novel by H. G. Wells. Because of the complexity and sophistication of its narrative structure A Modern Utopia has been called "not so much a modern as a postmodern utopia." The novel is best known for its notion that a voluntary order of nobility known as the Samurai could
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