The dull ache in my eight-year-old son, Leo' s, stomach quickly sharpened into something terrifying. His small body trembled, his face pale and beaded with sweat, as he whimpered, "It hurts, Mommy. It really hurts." Panic seized me as I dialed my husband, Ethan, only for him to pick up on the fourth try, irritated, "What, Olivia? I' m in the middle of something huge." He dismissed Leo' s 103-degree fever and my fear of appendicitis, declaring, "Give him some Tylenol. I can' t leave right now, this is a billion-dollar deal." Alone, I rushed Leo to the emergency room, enduring endless hours in a sterile waiting room. The doctor' s words shattered my world: "There were complications during the appendectomy. His appendix had ruptured. We did everything we could, but Leo didn' t make it." My vibrant, artistic boy was gone because his father was too busy. Just as the news began to sink in, Ethan called, his voice cheerful, "The meeting went great, we secured the funding. Is Leo feeling any better?" I choked out the words, "Leo' s dead, Ethan." He laughed, disbelieving, "That' s not funny, Olivia. Don' t joke about things like that." Only when his parents arrived, called by the hospital, did the truth begin to dawn, but his phone buzzed with an Instagram post of him toasting with Dr. Evelyn Reed, his college sweetheart, captioned, "Celebrating the future of AI with the one and only Ethan Vance. To new beginnings!" Richard Vance, Ethan' s father, roared, "Your son is dead, and you' re celebrating?!" before lunging at Ethan. In the chaos, they wheeled Leo' s body away. I screamed, "Don' t take him! That' s my baby!" before collapsing into darkness. I woke in the Vance mansion, the memory of Leo' s still face crushing me. I wanted a divorce, a clean break from the man who had let our son die. My in-laws, Richard and Eleanor, surprisingly supported me, their kindness a small comfort in my ocean of pain. Then Ethan burst in, rumpled and sneering, "Done with your little drama yet?" He grabbed my arm, demanding, "Get up, Olivia. We' re going home. Enough of this nonsense." His touch was repulsive, and I flinched away, my voice low and dangerous, "Don' t touch me." He laughed, "Or what? You' ll cry some more? You' re always so emotional. It' s exhausting." He continued, clueless to the pain he caused, "Are you going to tell me again that my son is dead just to get my attention?" My voice, clear and steady, cut through his ignorant rage, "He is, Ethan. Leo is dead." He just stared, completely unbelieving, until Richard physically dragged him from the room. A few days later, after a private cremation, I clutched Leo' s ashes, his vibrant life reduced to a small, heavy box. I drove home, needing to gather Leo' s things before leaving for good. But from the master bedroom came a low, feminine laugh, followed by Ethan' s familiar murmur. Evelyn was here, in my house, in my bed, while our son' s ashes were still warm in my hands. She emerged, wearing my silk robe, a triumphant smirk on her face. "Well, look what the cat dragged in," she cooed, "I thought you' d be off crying in a corner somewhere." Ethan didn' t even acknowledge me, or the box in my arms. Evelyn explained, "Honestly, Olivia, it' s for the best. Now he can focus on what' s really important. Our work." I turned my back on them, walking numbly to Leo' s room. As I passed the kitchen, Ethan saw the box. "What' s that?" he asked casually, "Some kind of sentimental junk you' re taking with you?" I stopped, my grip on the box tightening as I turned to him, my voice shaking with rage, "It' s Leo." He just shrugged, taking a drink of water, completely unfazed. I gently placed Leo' s ashes on his nightstand, whispered, "I' m sorry, baby," and began packing. At the bottom of his art bin, I found his last project: a half-finished watercolor painting of a sunset. It was a beautiful, incomplete masterpiece, and it shattered me. I sank to the floor, clutching the painting, sobbing for my son, his stolen future, and all the sunsets he would never paint. After the storm of grief passed, a cold, hard resolve set in. I left the house, not looking back, having placed divorce papers, drawn up months ago, squarely on Ethan' s desk. A text from Evelyn popped up on my phone, smug and petty, "Leaving so soon? Don' t let the door hit you on the way out. Ethan' s mine now. He always was." I crushed my phone under my car tire, the broken pieces a satisfying crunch on the asphalt. As I drove away, I saw Ethan watching me from the doorway, a flicker of confusion, maybe regret, on his face. But it was too late.
The dull ache in my eight-year-old son, Leo' s, stomach quickly sharpened into something terrifying.
His small body trembled, his face pale and beaded with sweat, as he whimpered, "It hurts, Mommy. It really hurts."
Panic seized me as I dialed my husband, Ethan, only for him to pick up on the fourth try, irritated, "What, Olivia? I' m in the middle of something huge."
He dismissed Leo' s 103-degree fever and my fear of appendicitis, declaring, "Give him some Tylenol. I can' t leave right now, this is a billion-dollar deal."
Alone, I rushed Leo to the emergency room, enduring endless hours in a sterile waiting room.
The doctor' s words shattered my world: "There were complications during the appendectomy. His appendix had ruptured. We did everything we could, but Leo didn' t make it."
My vibrant, artistic boy was gone because his father was too busy.
Just as the news began to sink in, Ethan called, his voice cheerful, "The meeting went great, we secured the funding. Is Leo feeling any better?"
I choked out the words, "Leo' s dead, Ethan."
He laughed, disbelieving, "That' s not funny, Olivia. Don' t joke about things like that."
Only when his parents arrived, called by the hospital, did the truth begin to dawn, but his phone buzzed with an Instagram post of him toasting with Dr. Evelyn Reed, his college sweetheart, captioned, "Celebrating the future of AI with the one and only Ethan Vance. To new beginnings!"
Richard Vance, Ethan' s father, roared, "Your son is dead, and you' re celebrating?!" before lunging at Ethan.
In the chaos, they wheeled Leo' s body away.
I screamed, "Don' t take him! That' s my baby!" before collapsing into darkness.
I woke in the Vance mansion, the memory of Leo' s still face crushing me.
I wanted a divorce, a clean break from the man who had let our son die.
My in-laws, Richard and Eleanor, surprisingly supported me, their kindness a small comfort in my ocean of pain.
Then Ethan burst in, rumpled and sneering, "Done with your little drama yet?"
He grabbed my arm, demanding, "Get up, Olivia. We' re going home. Enough of this nonsense."
His touch was repulsive, and I flinched away, my voice low and dangerous, "Don' t touch me."
He laughed, "Or what? You' ll cry some more? You' re always so emotional. It' s exhausting."
He continued, clueless to the pain he caused, "Are you going to tell me again that my son is dead just to get my attention?"
My voice, clear and steady, cut through his ignorant rage, "He is, Ethan. Leo is dead."
He just stared, completely unbelieving, until Richard physically dragged him from the room.
A few days later, after a private cremation, I clutched Leo' s ashes, his vibrant life reduced to a small, heavy box.
I drove home, needing to gather Leo' s things before leaving for good.
But from the master bedroom came a low, feminine laugh, followed by Ethan' s familiar murmur.
Evelyn was here, in my house, in my bed, while our son' s ashes were still warm in my hands.
She emerged, wearing my silk robe, a triumphant smirk on her face.
"Well, look what the cat dragged in," she cooed, "I thought you' d be off crying in a corner somewhere."
Ethan didn' t even acknowledge me, or the box in my arms.
Evelyn explained, "Honestly, Olivia, it' s for the best. Now he can focus on what' s really important. Our work."
I turned my back on them, walking numbly to Leo' s room.
As I passed the kitchen, Ethan saw the box. "What' s that?" he asked casually, "Some kind of sentimental junk you' re taking with you?"
I stopped, my grip on the box tightening as I turned to him, my voice shaking with rage, "It' s Leo."
He just shrugged, taking a drink of water, completely unfazed.
I gently placed Leo' s ashes on his nightstand, whispered, "I' m sorry, baby," and began packing.
At the bottom of his art bin, I found his last project: a half-finished watercolor painting of a sunset.
It was a beautiful, incomplete masterpiece, and it shattered me.
I sank to the floor, clutching the painting, sobbing for my son, his stolen future, and all the sunsets he would never paint.
After the storm of grief passed, a cold, hard resolve set in.
I left the house, not looking back, having placed divorce papers, drawn up months ago, squarely on Ethan' s desk.
A text from Evelyn popped up on my phone, smug and petty, "Leaving so soon? Don' t let the door hit you on the way out. Ethan' s mine now. He always was."
I crushed my phone under my car tire, the broken pieces a satisfying crunch on the asphalt.
As I drove away, I saw Ethan watching me from the doorway, a flicker of confusion, maybe regret, on his face.
But it was too late.
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