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The System’s Cruel Canvas

The System's Cruel Canvas

Gavin

5.0
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21
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The antiseptic smell wasn't new; my head always throbbed. I, Chloe Reed, once a promising artist, was now the "evil stepsister," a role forced upon me by a parasitic System. A year ago, my adoptive brother Alex, the boy I secretly loved, lay dying. The System offered a cure: become the villain, push Alex into Sarah Jenkins' s arms, and then get a new life. I said yes. How could I not? It was for Alex. The System' s predictions were chillingly accurate. Alex healed, and Sarah, a ray of manufactured sunshine, entered our lives. My existence became a calculated hell, designed to make Alex despise me. Every humiliation, every cruel word from him, was orchestrated. He looked at me with cold loathing, seeing only the monster I was forced to be. Then came the art gala. Painting, my soul' s refuge, was to be sacrificed. Alex, the boy who once said my art was magic, demanded I create something to make Sarah' s work shine by comparison. He wanted me to lose, publicly, to prove I could do something for someone else. The System buzzed with approval, promising freedom. I agreed, the word tasting like ash. The night of the gala, I unveiled "Hopeless," a canvas of chaos. Sarah presented "Hope," a field of vibrant flowers. Her victory was thunderous. Then Alex' s icy words: "You took something beautiful and made it ugly, just for attention. You are truly pathetic." His words shattered me, more than any blow. I fled into the cold night, gasping, calling the only person I could think of for a panic attack. I was utterly alone. The next morning, Alex burst into my hospital room, not worried, but furious. The System took over, lashing out with cold, mocking defiance. "Why do you care? I did what you wanted. Sarah won. Isn' t that all that matters?" His rage became chilling. He showed me a wooden bird, a gift I' d carved for him, claiming Sarah had made it. Then the real blow: Sarah needed a kidney-my kidney. "It' s you," he said, his voice leaving no room for argument. "The surgery is scheduled for tomorrow. You will do this. You will give Sarah your kidney, and maybe, just maybe, you will have redeemed yourself for a fraction of the pain you' ve caused." I signed the forms in a numb haze. The surgery was a violation, draining me literally and figuratively. Days later, Sarah came to my apartment, radiant, vibrant, full of life. My life. She gloated, then faked an injury, shrieking I' d pushed her. Alex appeared, a mask of primal fury. He didn' t ask. He slapped me, sending me crashing against the wall. "You monster," he snarled. "I am done with you. Stay away from us. Stay away from my family." I was empty, nothing left to take. My phone buzzed. A text from Alex. "My office. Now." It was another task, another demand. But as I sat in his office, I saw it-my mother' s journal, thought lost forever. Sarah walked in, and with a cruel smirk, she took it. Alex, with a mere hesitation, gave it to her. She "accidentally" dropped it into a coffee, ruining the last piece of my mother. As the world went black, a single, horrifying thought screamed in my mind: I cannot escape.

Introduction

The antiseptic smell wasn't new; my head always throbbed. I, Chloe Reed, once a promising artist, was now the "evil stepsister," a role forced upon me by a parasitic System.

A year ago, my adoptive brother Alex, the boy I secretly loved, lay dying. The System offered a cure: become the villain, push Alex into Sarah Jenkins' s arms, and then get a new life. I said yes. How could I not? It was for Alex.

The System' s predictions were chillingly accurate. Alex healed, and Sarah, a ray of manufactured sunshine, entered our lives. My existence became a calculated hell, designed to make Alex despise me. Every humiliation, every cruel word from him, was orchestrated. He looked at me with cold loathing, seeing only the monster I was forced to be.

Then came the art gala. Painting, my soul' s refuge, was to be sacrificed. Alex, the boy who once said my art was magic, demanded I create something to make Sarah' s work shine by comparison. He wanted me to lose, publicly, to prove I could do something for someone else.

The System buzzed with approval, promising freedom. I agreed, the word tasting like ash. The night of the gala, I unveiled "Hopeless," a canvas of chaos. Sarah presented "Hope," a field of vibrant flowers. Her victory was thunderous. Then Alex' s icy words: "You took something beautiful and made it ugly, just for attention. You are truly pathetic."

His words shattered me, more than any blow. I fled into the cold night, gasping, calling the only person I could think of for a panic attack. I was utterly alone.

The next morning, Alex burst into my hospital room, not worried, but furious. The System took over, lashing out with cold, mocking defiance. "Why do you care? I did what you wanted. Sarah won. Isn' t that all that matters?"

His rage became chilling. He showed me a wooden bird, a gift I' d carved for him, claiming Sarah had made it. Then the real blow: Sarah needed a kidney-my kidney. "It' s you," he said, his voice leaving no room for argument. "The surgery is scheduled for tomorrow. You will do this. You will give Sarah your kidney, and maybe, just maybe, you will have redeemed yourself for a fraction of the pain you' ve caused."

I signed the forms in a numb haze. The surgery was a violation, draining me literally and figuratively. Days later, Sarah came to my apartment, radiant, vibrant, full of life. My life. She gloated, then faked an injury, shrieking I' d pushed her. Alex appeared, a mask of primal fury. He didn' t ask. He slapped me, sending me crashing against the wall. "You monster," he snarled. "I am done with you. Stay away from us. Stay away from my family."

I was empty, nothing left to take. My phone buzzed. A text from Alex. "My office. Now." It was another task, another demand. But as I sat in his office, I saw it-my mother' s journal, thought lost forever. Sarah walked in, and with a cruel smirk, she took it. Alex, with a mere hesitation, gave it to her. She "accidentally" dropped it into a coffee, ruining the last piece of my mother. As the world went black, a single, horrifying thought screamed in my mind: I cannot escape.

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The antiseptic smell of my deathbed couldn't mask the stench of betrayal. My wife, Emily, played the grieving spouse, her tears a performance, her whispers to her lover, Daniel, charting my demise. "He's not going to make it through the night. I'll be free soon, my love." That name, Daniel Sterling, a family friend I admired, shattered my world faster than my failing heart. My final sight was Emily's beautiful, lying face, cold and irritated by my inconvenient death. Then, blinding light. I gasped, sucking in real air, not in a hospital, but my old bedroom, decades younger, strong, unblemished hands. It was real. I was back. Memories of my first life flooded me: the loveless marriage, the quiet sacrifices, the children who weren't mine. Then, the pivotal memory from this timeline, the one that started it all: a party, too much to drink, Emily crying, pregnant, my naive proposal driven by a sense of duty, a lie. She was already carrying Daniel's child, using me as a shield to protect his budding career. The bedroom door creaked open. "Ethan? Are you awake?" It was Emily, radiant and innocent, carrying breakfast, her hand reaching for my forehead with the same feigned care from my deathbed. I flinched from her touch. "Emily," I said, my voice cold, "We need to talk about the wedding." Her smile faltered as I flatly stated, "I don't think we should get married." Her crocodile tears flowed, "I love you, Ethan!" she whimpered. "Don't," I warned, her words now poison. She played her trump card, placing her hand on her stomach. "I'm... I'm pregnant, Ethan. It's your baby." I almost laughed, knowing the truth this time. "Emily has always been like a sister to me," I announced, loud enough for our families downstairs to hear. "I'll always care for her." Her face, pure unadulterated panic, confirmed it. The game had just begun, and this time, I was making the rules.

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