Her Pregnancy, My Exodus

Her Pregnancy, My Exodus

Gavin

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I was Chloe, a frontwoman of "Nightingale & Guitarist," a life I'd painstakingly built with Liam, the struggling musician I'd saved. For five years, I was his muse, his partner, his wife, having chosen him over my original, shattered reality. Then, Liam began his affair with Kendra, our ambitious tour assistant. For three unbearable years, I lived a grotesque parody of a marriage, enduring his blatant betrayals, his gaslighting, and Kendra's open triumph, as if I had somehow deserved this calculated heartbreak. The final, crushing blow came on my birthday, backstage, when Kendra callously announced her pregnancy, a child she claimed was Liam's, right after he'd publicly blamed me for her distress. How could I have given up everything, every piece of my true self, Elara the cellist, only to be reduced to this, a discarded note in their discordant symphony? Why did I allow myself to be consumed by such a bitter, endless performance? But a lifeline appeared: The mysterious Dreamweaver system, which had first sent me to Liam, offered a way to finally go back. To my real life. To myself. For ten days, I methodically dismantled every trace of "Chloe," liquidating all the assets, severing every tie, until my final, quiet disappearance at midnight, as gracefully as a fading echo. Yet, even in my true world, peace was fleeting; Dreamweaver demanded I return, one last time, to quell Liam's destructive grief, which threatened to unravel the very fabric of his reality. I had to finish what I started, to play the final, unburdened note.

Introduction

I was Chloe, a frontwoman of "Nightingale & Guitarist," a life I'd painstakingly built with Liam, the struggling musician I'd saved.

For five years, I was his muse, his partner, his wife, having chosen him over my original, shattered reality.

Then, Liam began his affair with Kendra, our ambitious tour assistant.

For three unbearable years, I lived a grotesque parody of a marriage, enduring his blatant betrayals, his gaslighting, and Kendra's open triumph, as if I had somehow deserved this calculated heartbreak.

The final, crushing blow came on my birthday, backstage, when Kendra callously announced her pregnancy, a child she claimed was Liam's, right after he'd publicly blamed me for her distress.

How could I have given up everything, every piece of my true self, Elara the cellist, only to be reduced to this, a discarded note in their discordant symphony?

Why did I allow myself to be consumed by such a bitter, endless performance?

But a lifeline appeared: The mysterious Dreamweaver system, which had first sent me to Liam, offered a way to finally go back.

To my real life.

To myself.

For ten days, I methodically dismantled every trace of "Chloe," liquidating all the assets, severing every tie, until my final, quiet disappearance at midnight, as gracefully as a fading echo.

Yet, even in my true world, peace was fleeting; Dreamweaver demanded I return, one last time, to quell Liam's destructive grief, which threatened to unravel the very fabric of his reality.

I had to finish what I started, to play the final, unburdened note.

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My world revolved around Jax Harding, my older brother's captivating rockstar friend. From sixteen, I adored him; at eighteen, I clung to his casual promise: "When you're 22, maybe I'll settle down." That offhand comment became my life's beacon, guiding every choice, meticulously planning my twenty-second birthday as our destiny. But on that pivotal day in a Lower East Side bar, clutching my gift, my dream exploded. I overheard Jax' s cold voice: "Can't believe Savvy's showing up. She' s still hung up on that stupid thing I said." Then the crushing plot: "We' re gonna tell Savvy I' m engaged to Chloe, maybe even hint she' s pregnant. That should scare her off." My gift, my future, slipped from my numb fingers. I fled into the cold New York rain, devastated by betrayal. Later, Jax introduced Chloe as his "fiancée" while his bandmates mocked my "adorable crush"-he did nothing. As an art installation fell, he saved Chloe, abandoning me to severe injury. In the hospital, he came for "damage control," then shockingly shoved me into a fountain, leaving me to bleed, calling me a "jealous psycho." How could the man I loved, who once saved me, become this cruel and publicly humiliate me? Why was my devotion seen as an annoyance to be brutally extinguished with lies and assault? Was I just a problem, my loyalty met with hatred? I would not be his victim. Injured and betrayed, I made an unshakeable vow: I was done. I blocked his number and everyone connected to him, severing ties. This was not an escape; this was my rebirth. Florence awaited, a new life on my terms, unburdened by broken promises.

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