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Blue-grass and Broadway by Maria Thompson Daviess
"We are all going to stand by, little girl"
* * *
BLUE-GRASS
AND
BROADWAY
BY
MARIA THOMPSON DAVIESS
Author of "The Melting of Molly," "The Golden Bird," "The Tinder Box," etc.
NEW YORK
THE CENTURY CO.
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Literature
From the book:All love is a gas, and it takes either loneliness, strength of character, or religion to liquefy it into a condition to be ladled out of us, one to another. There is a certain dangerously volatile state of it; and occasionally people, especially of opposite sexes, try to administer it to each other in that form, with asphyxiation resulting to both hearts. And I'm willing to confess that it is generally a woman's fault when such an accident occurs. That is, it is a mistake of her nature, not one of intent. But she is learning! Also when a woman is created, the winds have wooed star-dust, rose-dew, peach-down, and a few flint-shavings into a whirlwind of deviltry, and the world at large looks on in wonder and sore amazement, as well as breathless interest. I know, because I am one, and have just been waked up by the gyrations of the cyclone; and I'm deeply confounded. I don't like it, and wish I could have slept longer, but Fate and Jane Mathers decreed otherwise. At least Jane decreed, and Fate seems so far helpless to controvert the decree.
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Literature
From the book:A beautiful woman is intended to create a heaven on earth and she has no business wasting herself making imaginary excursions into any future paradise. The present is her time for action; and again, Charlotte, I ask you to name the day upon which you intend to marry me, said Nickols Powers, as he stood lounging in the broad window of Aunt Clara's music room and gazing down into the subdued traffic of upper Madison Avenue. "I wish you had never taken me across that ferry and into that room crowded with redolent humanity to hear an absurd little man string together vivid, gross words about religion, words that made me tingle all over," I answered as I threw my coat on a chair, lifted my hat from my head and sat down on the seat before the dark old piano. "I think religion is the most awful thing in the world and I am as afraid of it as I am of - of death. I'm going home to my father." "Oh, don't be afraid of it. Religion is the most potent form of intoxication known to the human race. That's why I took you over to hear the little baseball player. I wanted you to get a sip. But don't let it go to your head." And Nickols mocked me with soft tenderness in his smile.
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Literature
This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.
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Literature
"Now, child, be sure and don't mix 'em with a heavy hand! Lightness is expected of riz biscuits and had oughter be dealt out to 'em by the mixer from the start. Just this way - " "Mother, oh, Mother," came a perturbed hail in Doctor Mayberry's voice from the barn door, "Spangles is off the nest again - better come quick!" "Can't you persuade her some, Tom?" Mother called back from the kitchen door as she peered anxiously across the garden fence and over to the gray barn where the Doctor stood holding the door half open, but ready for a quick close-up in case of an unexpected sally. "My hands is in the biscuits and I don't want to come now. Just try, Tom!" "I have tried and I can't do it! She's getting the whole convention agitated. You'd better come on, Mother!" "Dearie me," said Mrs. Mayberry, as she rinsed her hands in the wash-pan on the shelf under tin cedar bucket, "Tom is just as helpless with the chickens at setting time as a presiding elder is at a sewing circle; can't use a needle, too stiff to jine the talk and only good when it comes to the eating, from broilers to frying size. Just go on and mix the biscuits with faith, honey-bird, for I mistrust I won't be back for quite a spell."
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I spent four hours preparing a five-course meal for our fifth anniversary. When Jackson finally walked into the penthouse an hour late, he didn't even look at the table. He just dropped a thick Manila envelope in front of me and told me he was done. He said his stepsister, Davida, was getting worse and needed "stability." I wasn't his wife; I was a placeholder, a temporary fix he used until the woman he actually loved was ready to take my place. Jackson didn't just want a divorce; he wanted to erase me. He called me a "proprietary asset," claiming that every design I had created to save his empire belonged to him. He froze my bank accounts, cut off my phone, and told me I’d be nothing without his name. Davida even called me from her hospital bed to flaunt the family heirloom ring Jackson claimed was lost, mocking me for being "baggage" that was finally being cleared out. I stood in our empty home, realizing I had spent five years being a martyr for a man who saw me as a transaction. I couldn't understand how he could be so blind to the monster he was protecting, or how he could discard me so coldly after I had given him everything. I grabbed my hidden sketchbook, shredded our wedding portrait, and walked out into the rain. I dialed a number I hadn't touched in years—a dangerous man known as The Surgeon who dealt in debts and shadows. I told him I was ready to pay his price. Jackson and Davida wanted to steal my identity, but I was about to show the world the literal scars they had left behind.
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I woke up on silk sheets that smelled of expensive cedar and cold sandalwood, a world away from my cramped apartment in Brooklyn. Beside me lay Ezra Gardner—my boss, the billionaire CEO of Gardner Holdings, and the man who could end my career with a snap of his fingers. He didn’t offer an apology for the night before; instead, he looked at me with terrifying clarity and proposed a cold, calculated business arrangement. "Marriage. It stabilizes the board and solves the PR crisis before it begins." He dressed me in archival Chanel and sent me home in his Maybach, but my life was already falling apart. My boyfriend, Irving, claimed he had passed out early, yet his location data placed him at my best friend’s apartment until three in the morning. When I tried to run, I realized Ezra was already ten steps ahead, tracking my movements and uncovering the secret I’d spent twenty years hiding: my connection to the powerful Senator Grimes. I was trapped between a CEO who treated me like a line item on a quarterly report and a boyfriend who had been using me while sleeping with my closest friend. I felt like a pawn in a game I didn't understand, wondering why a man like Ezra would walk up forty flights of stairs on a broken leg just to make sure I was safe. "Showtime, Mrs. Gardner." Standing on the red carpet in a gown that cost more than my life, I watched my cheating ex-boyfriend’s face turn pale as Ezra claimed me in front of the world. I wasn't just an assistant anymore; I was a weapon, and it was time to burn their world down.
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Linsey was stood up by her groom to run off with another woman. Furious, she grabbed a random stranger and declared, "Let's get married!" She had acted on impulse, realizing too late that her new husband was the notorious rascal, Collin. The public laughed at her, and even her runaway ex offered to reconcile. But Linsey scoffed at him. "My husband and I are very much in love!" Everyone thought she was delusional. Then Collin was revealed to be the richest man in the world. In front of everyone, he got down on one knee and held up a stunning diamond ring. "I look forward to our forever, honey."
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Lyric had spent her life being hated. Bullied for her scarred face and hated by everyone-including her own mate-she was always told she was ugly. Her mate only kept her around to gain territory, and the moment he got what he wanted, he rejected her, leaving her broken and alone. Then, she met him. The first man to call her beautiful. The first man to show her what it felt like to be loved. It was only one night, but it changed everything. For Lyric, he was a saint, a savior. For him, she was the only woman that had ever made him cum in bed-a problem he had been battling for years. Lyric thought her life would finally be different, but like everyone else in her life, he lied. And when she found out who he really was, she realized he wasn't just dangerous-he was the kind of man you don't escape from. Lyric wanted to run. She wanted freedom. But she desired to navigate her way and take back her respect, to rise above the ashes. Eventually, she was forced into a dark world she didn't wish to get involved with.
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Sophie stepped in for her sister and married a man known for his disfigured looks and reckless past. On their wedding day, his family turned their backs on him, and the town laughed behind their hands, certain the marriage would collapse. But Sophie's career soared, and their love only deepened. Later, during a high-profile event, the CEO of some conglomerate took off his mask, revealing Sophie's husband to be a global sensation. *** Adrian had no interest in his arranged wife and had disguised himself in hopes she would bail. But when Sophie tried to walk away, Adrian broke down and whispered, "Please, Sophie, don't go. One kiss, and I'll give you the world."
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The roasted lamb was cold, a reflection of her marriage. On their third anniversary, Evelyn Vance waited alone in her Manhattan penthouse. Then her phone buzzed: Alexander, her husband, had been spotted leaving the hospital, holding his childhood sweetheart Scarlett Sharp's hand. Alexander arrived hours later, dismissing Evelyn's quiet complaint with a cold reminder: she was Mrs. Vance, not a victim. Her mother's demands reinforced this role, making Evelyn, a brilliant mind, feel like a ghost. A dangerous indifference replaced betrayal. The debt was paid; now, it was her turn. She drafted a divorce settlement, waiving everything. As Alexander's tender voice drifted from his study, speaking to Scarlett, Evelyn placed her wedding ring on his pillow, moved to the guest suite, and locked the door. The dull wife was gone; the Oracle was back.
Blue-grass and Broadway
Maria Thompson Daviess
Literature
Chapter 1 * * *
01/12/2017
Chapter 2 No.2
01/12/2017
Chapter 3 No.3
01/12/2017
Chapter 4 No.4
01/12/2017
Chapter 5 No.5
01/12/2017
Chapter 6 No.6
01/12/2017
Chapter 7 No.7
01/12/2017
Chapter 8 No.8
01/12/2017
Chapter 9 No.9
01/12/2017


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