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Blue-grass and Broadway by Maria Thompson Daviess
"We are all going to stand by, little girl"
* * *
BLUE-GRASS
AND
BROADWAY
BY
MARIA THOMPSON DAVIESS
Author of "The Melting of Molly," "The Golden Bird," "The Tinder Box," etc.
NEW YORK
THE CENTURY CO.
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Literature
From the book:All love is a gas, and it takes either loneliness, strength of character, or religion to liquefy it into a condition to be ladled out of us, one to another. There is a certain dangerously volatile state of it; and occasionally people, especially of opposite sexes, try to administer it to each other in that form, with asphyxiation resulting to both hearts. And I'm willing to confess that it is generally a woman's fault when such an accident occurs. That is, it is a mistake of her nature, not one of intent. But she is learning! Also when a woman is created, the winds have wooed star-dust, rose-dew, peach-down, and a few flint-shavings into a whirlwind of deviltry, and the world at large looks on in wonder and sore amazement, as well as breathless interest. I know, because I am one, and have just been waked up by the gyrations of the cyclone; and I'm deeply confounded. I don't like it, and wish I could have slept longer, but Fate and Jane Mathers decreed otherwise. At least Jane decreed, and Fate seems so far helpless to controvert the decree.
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Literature
From the book:A beautiful woman is intended to create a heaven on earth and she has no business wasting herself making imaginary excursions into any future paradise. The present is her time for action; and again, Charlotte, I ask you to name the day upon which you intend to marry me, said Nickols Powers, as he stood lounging in the broad window of Aunt Clara's music room and gazing down into the subdued traffic of upper Madison Avenue. "I wish you had never taken me across that ferry and into that room crowded with redolent humanity to hear an absurd little man string together vivid, gross words about religion, words that made me tingle all over," I answered as I threw my coat on a chair, lifted my hat from my head and sat down on the seat before the dark old piano. "I think religion is the most awful thing in the world and I am as afraid of it as I am of - of death. I'm going home to my father." "Oh, don't be afraid of it. Religion is the most potent form of intoxication known to the human race. That's why I took you over to hear the little baseball player. I wanted you to get a sip. But don't let it go to your head." And Nickols mocked me with soft tenderness in his smile.
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Literature
This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.
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Literature
"Now, child, be sure and don't mix 'em with a heavy hand! Lightness is expected of riz biscuits and had oughter be dealt out to 'em by the mixer from the start. Just this way - " "Mother, oh, Mother," came a perturbed hail in Doctor Mayberry's voice from the barn door, "Spangles is off the nest again - better come quick!" "Can't you persuade her some, Tom?" Mother called back from the kitchen door as she peered anxiously across the garden fence and over to the gray barn where the Doctor stood holding the door half open, but ready for a quick close-up in case of an unexpected sally. "My hands is in the biscuits and I don't want to come now. Just try, Tom!" "I have tried and I can't do it! She's getting the whole convention agitated. You'd better come on, Mother!" "Dearie me," said Mrs. Mayberry, as she rinsed her hands in the wash-pan on the shelf under tin cedar bucket, "Tom is just as helpless with the chickens at setting time as a presiding elder is at a sewing circle; can't use a needle, too stiff to jine the talk and only good when it comes to the eating, from broilers to frying size. Just go on and mix the biscuits with faith, honey-bird, for I mistrust I won't be back for quite a spell."
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The day Raina gave birth should have been the happiest of her life. Instead, it became her worst nightmare. Moments after delivering their twins, Alexander shattered her heart-divorcing her and forcing her to sign away custody of their son, Liam. With nothing but betrayal and heartbreak to her name, Raina disappeared, raising their daughter, Ava, on her own.Years later, fate comes knocking when Liam falls gravely ill. Desperate to save his son, Alexander is forced to seek out the one person he once cast aside. Alexander finds himself face to face with the woman he underestimated, pleading for a second chance-not just for himself, but for their son. But Raina is no longer the same broken woman who once loved him.No longer the woman he left behind. She has carved out a new life-one built on strength, wealth, and a long-buried legacy she expected to uncover.Raina has spent years learning to live without him.The question is... Will she risk reopening old wounds to save the son she never got to love? or has Alexander lost her forever?
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The sterile white of the operating room blurred, then sharpened, as Skye Sterling felt the cold clawing its way up her body. The heart monitor flatlined, a steady, high-pitched whine announcing her end. Her uterus had been removed, a desperate attempt to stop the bleeding, but the blood wouldn't clot. It just kept flowing, warm and sticky, pooling beneath her. Through heavy eyes, she saw a trembling nurse holding a phone on speaker. "Mr. Kensington," the nurse's voice cracked, "your wife... she's critical." A pause, then a sweet, poisonous giggle. Seraphina Miller. "Liam is in the shower," Seraphina's voice purred. "Stop calling, Skye. It's pathetic. Faking a medical emergency on our anniversary? Even for you, that's low." Then, Liam's bored voice: "If she dies, call the funeral home. I have a meeting in the morning." Click. The line went dead. A second later, so did Skye. The darkness that followed was absolute, suffocating, a black ocean crushing her lungs. She screamed into the void, a silent, agonizing wail of regret for loving a man who saw her as a nuisance, for dying without ever truly living. Until she died, she didn't understand. Why was her life so tragically wasted? Why did her husband, the man she loved, abandon her so cruelly? The injustice of it all burned hotter than the fever in her body. Then, the air rushed back in. Skye gasped, her body convulsing violently on the mattress. Her eyes flew open, wide and terrified, staring blindly into the darkness. Her trembling hand reached for her phone. May 12th. Five years ago. She was back.
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Vesper's marriage to Julian Sterling was a gilded cage. One morning, she woke naked beside Damon Sterling, Julian's terrifying brother, then found a text: Julian's mistress was pregnant. Her world shattered, but the real nightmare had just begun. Julian's abuse escalated, gaslighting Vesper, funding his secret life. Damon, a germaphobic billionaire, became her unsettling anchor amidst his chaos. As "Iris," Vesper exposed Julian's mistress, Serena Sharp, sparking brutal war: poisoned drinks, a broken leg, and the horrifying truth-Julian murdered her parents, trapping Vesper in marriage. The man she married was a killer. Broken and betrayed, Vesper was caught between monstrous brothers, burning with injustice. Refusing victimhood, Vesper reclaimed her identity. Fueled by vengeance, she allied with Damon, who vowed to burn his empire for her. Julian faced justice, but matriarch Eleanor's counterattack forced Vesper's choice as a hitman aimed for her.
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I just got my billionaire husband to sign our divorce papers. He thinks it's another business document. Our marriage was a business transaction. I was his secretary by day, his invisible wife by night. He got a CEO title and a rebellion against his mother; I got the money to save mine. The only rule? Don't fall in love. I broke it. He didn't. So I'm cashing out. Thirty days from now, I'm gone. But now he's noticing me. Touching me. Claiming me. The same man who flaunts his mistresses is suddenly burning down a nightclub because another man insulted me. He says he'll never let me go. But he has no idea I'm already halfway out the door. How far will a billionaire go to keep a wife he never wanted until she tried to leave?
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Trigger/Content Warning: This story contains mature themes and explicit content intended for adult audiences(18+). Reader discretion is advised. It includes elements such as BDSM dynamics, explicit sexual content, toxic family relationships, occasional violence and strong language. This is not a fluffy romance. It is intense, raw and messy, and explores the darker side of desire. ***** "Take off your dress, Meadow." "Why?" "Because your ex is watching," he said, leaning back into his seat. "And I want him to see what he lost." ••••*••••*••••* Meadow Russell was supposed to get married to the love of her life in Vegas. Instead, she walked in on her twin sister riding her fiance. One drink at the bar turned to ten. One drunken mistake turned into reality. And one stranger's offer turned into a contract that she signed with shaking hands and a diamond ring. Alaric Ashford is the devil in a tailored Tom Ford suit. Billionaire CEO, brutal, possessive. A man born into an empire of blood and steel. He also suffers from a neurological condition-he can't feel. Not objects, not pain, not even human touch. Until Meadow touches him, and he feels everything. And now he owns her. On paper and in his bed. She wants him to ruin her. Take what no one else could have. He wants control, obedience... revenge. But what starts as a transaction slowly turns into something Meadow never saw coming. Obsession, secrets that were never meant to surface, and a pain from the past that threatens to break everything. Alaric doesn't share what's his. Not his company. Not his wife. And definitely not his vengeance.
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"Let's get married," Mia declares, her voice trembling despite her defiant gaze into Stefan's guarded brown eyes. She needs this, even if he seems untouchable. Stefan raises a skeptical brow. "And why would I do that?" His voice was low, like a warning, and it made her shiver even though she tried not to show it. "We both have one thing in common," Mia continues, her gaze unwavering. "Shitty fathers. They want to take what's ours and give it to who they think deserves it." A pointed pause hangs in the air. "The only difference between us is that you're an illegitimate child, and I'm not." Stefan studies her, the heiress in her designer armor, the fire in her eyes that matches the burn of his own rage. "That's your solution? A wedding band as a weapon?" He said ignoring the part where she just referred to him as an illegitimate child. "The only weapon they won't see coming." She steps closer, close enough for him to catch the scent of her perfume, gunpowder and jasmine. "Our fathers stole our birthrights. The sole reason they betrayed us. We join forces, create our own empire that'll bring down theirs." A beat of silence. Then, Stefan's mouth curves into something sharp. "One condition," he murmurs, closing the distance. "No divorces. No surrenders. If we're doing this, it's for life" "Deal" Mia said without missing a beat. Her father wants to destroy her life. She wouldn't give him the pleasure, she would destroy her life as she seems fit. ................ Two shattered heirs. One deadly vow. A marriage built on revenge. Mia Meyers was born to rule her father's empire (so she thought), until he named his bastard son heir instead. Stefan Sterling knows the sting of betrayal too. His father discarded him like trash. Now the rivals' disgraced children have a poisonous proposal: Marry for vengeance. Crush their fathers' legacies. Never speak of divorce. Whoever cracks first loses everything. Can these two rivals, united by their vengeful hearts, pull off a marriage of convenience to reclaim what they believe is rightfully theirs? Or will their fathers' animosity, and their own complicated pasts tear their fragile alliance apart?


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