The Art Of Writing & Speaking The English Language / Word-Study and Composition & Rhetoric

The Art Of Writing & Speaking The English Language / Word-Study and Composition & Rhetoric

Sherwin Cody

5.0
Comment(s)
63
View
30
Chapters

Trajectory presents classics of world literature with 21st century features! Our original-text editions include the following visual enhancements to foster a deeper understanding of the work: Word Clouds at the start of each chapter highlight important words. Word, sentence, paragraph counts, and reading time help readers and teachers determine chapter complexity. Co-occurrence graphs depict character-to-character interactions as well character to place interactions. Sentiment indexes identify positive and negative trends in mood within each chapter. Frequency graphs help display the impact this book has had on popular culture since its original date of publication. Use Trajectory analytics to deepen comprehension, to provide a focus for discussions and writing assignments, and to engage new readers with some of the greatest stories ever told."The Moving Picture Girls: Or, First Appearances in Photo Dramas" is part of "The Moving Picture Girls" series. "The Moving Picture Girls" is a series about the adventures of Ruth and Alice DeVere who live with their father who is an actor.

The Art Of Writing & Speaking The English Language / Word-Study and Composition & Rhetoric Chapter 1 STREET MUSIC

There was no room for him on the sidewalk, so he took up his position beyond the curbstone. The light from the large arc-lamp overhead, exposed the old man's thin white hair, withered face and threadbare clothes. His sightless eyes were turned toward the passing throng, and his head was slightly bent in an expectant attitude. But the hand that drew the wheezy bow across the strings of the violin often faltered, and the broken music, instead of attracting, repelled the crowds. The player was tired and longed for rest.

But the fire of an overmastering purpose burned in his soul and kept him steadfast to his post.

The girl standing by his side was both weary and embarrassed. Her hand trembled as she held out her father's soft felt hat to receive the coins which were so very few. It was quite evident that she was new to this business, for her cheeks were flushed crimson owing to the remarks she occasionally heard.

"Listen to that old man sawing wood," one gaily-dressed young fop laughingly jested to his companion.

"Filing his saw, I should say," was the sarcastic reply. "It's a wonder to me that such a noise is allowed on a street like this."

"But see the girl," the other insisted, "isn't she a beauty! Look at her cheeks. My! they are some colour. She seems new to her job. Suppose we give her a jolt. I'd like to hear what she'd say. Perhaps she isn't as innocent as she seems."

They had stopped several rods away and were watching the girl as they talked. Presently they retraced their steps, and when they came near where she was standing, one of them surged suddenly against her, causing her to drop the hat in alarm and start back, while the few coins rolled out upon the hard stones. Her cry of dismay caused the old man to stop playing and turn quickly toward her.

"What is the matter, Nan?" he anxiously enquired.

"Oh, let us go away," the girl pleaded. "We are not safe here, and I am so frightened. Two men pushed against me and knocked the hat out of my hand. I know they did it on purpose, for they went away laughing. Oh, what is that?" and she leaned eagerly forward as a commotion took place among the crowd a short distance away.

While the young men were performing their cowardly prank, a man was intently watching all that was taking place. He had been observing the blind violinist and the timid girl for several minutes. In his eyes was an expression of sympathy, which changed at once to intense anger at the act of the two heartless fops. He stepped quickly forward and confronted them.

"What right had you to interfere with that girl?" he demanded.

"It's none of your business," replied the one who had done the deed. "You get out of our way, and do it quick at that, or it won't be well with you."

At once a heavy hand was laid upon his shoulder, and the gripping fingers of that hand caused him to wince and try to tear himself away. A sudden fear smote his heart as he looked up into the blazing eyes of the man before him. He was beginning to respect that towering form with the great broad shoulders and the hand that seemed to weigh a ton and the gripping fingers that were closing like a vise. He suspected that this was a plain-clothes man in the Police service, and the thought filled him with a nameless dread. He glanced around for his companion, but he was nowhere to be seen.

"What do ye want me to do?" he at length gasped.

"Go pick up those coins, and then apologise to the girl for your rudeness," was the reply.

"Good heavens! I can't do that, ye know. What will me chums say?"

"Never mind what they will say. They'll say a great more if I have to drag you there by the coat collar. So get a move on at once."

The victim looked helplessly around upon the crowd which had gathered, as if expecting some assistance. But not a friendly face could he behold. All seemed to be greatly amused at his plight.

"Hurry up."

The voice was calm but the clutching fingers were becoming almost unbearable. There was nothing else for the young man to do, so with a face as pale as death he turned and walked slowly back to where the old violinist and the girl were standing.

"Now, pick up the coins," was the imperious command.

The culprit at once obeyed, and groped around as well as he could but nothing could he find. Several street urchins, who had been ahead of him, now stood near and jeered at his fruitless efforts. At length, straightening himself up, he turned to his captor. The perspiration was streaming down his face, and he looked the picture of misery.

"I can't find anything," he gasped.

"Well, then, apologise to the girl. Tell her you are sorry for what you did and that you will never do such a thing again."

With trembling lips the young man stammered forth a few broken words as he stood facing the surprised and abashed girl. It was hard to understand what he said, but that did not really matter. His punishment had been severe, and his captor felt somewhat satisfied.

"Now, clear out," he ordered, "and be thankful all the rest of your days that you have escaped so easily."

Scarcely had he finished speaking ere a large police officer forced his way through the crowd. He grasped the situation in an instant, and when he saw the man standing near the culprit, a light of recognition came into his eyes.

"Shall I take him, sir?" he asked, at the same time giving the salute.

"No, Sergeant, I think we had better let him go this time," was the reply. "He has been taught a lesson already which he is not likely to forget."

When the crowd saw that there was to be no more excitement, it quickly dispersed, and the stream of humanity surged along the street as before. The policeman, too, moved away, leaving the girl and her protector standing near each other.

"You have had a hard time to-night," the man remarked. "I am so sorry those rascals gave you such trouble."

"Oh, it was so kind of you to come to our assistance," the girl replied. "My father is very tired, and the little money we made is all gone."

"May I have your violin for a while, sir?" the stranger asked turning to the violinist, at the same time taking the instrument gently from the trembling hands. "You must be very tired."

During the whole of the scene the old man had been trying to comprehend the meaning of the commotion. His daughter was too greatly excited to explain anything. But when he heard the stranger speak to him he at once complied with his request and allowed him to take his beloved instrument. The girl slipped her hand in his and squeezed it hard, and then stood watching her kind protector.

The latter lifted the violin quickly to his shoulder, faced the crowded street, and drew the bow across the strings. There was a great difference now in the playing, and many people paused to listen. There was something which appealed to them in the music which was pouring forth. It stirred their nobler feelings and aroused in them the spirit of sympathy for the poor and unfortunate. They comprehended the purpose of the musician when they saw the feeble old man and the girl standing nearby. The hearts of many were strangely stirred, and they vied with one another in dropping money into the dusty hat which the girl was again holding forth. Silver mingled with bills, and the girl's face grew bright and her heart happy the heavier the hat became. It seemed to her like a wonderful dream, and that the player was a fairy who had come to her assistance. She wanted to watch him and listen to the music he was making, but she had little time for that, as she had to pay attention to the money she was collecting.

Suddenly the music stopped and when the girl turned her head she saw the stranger handing the violin to her father. She wanted to speak to him, to thank him for his kindness, but before she could act he had disappeared among the crowd.

As the music ceased, so did the giving, and the unheeding crowd once more surged on its way. But the girl did not care, as she had all the money she could manage.

"Let us go now, father," she said. "We have done well to-night, and I am so anxious to know how much we have."

"Yes, Nan, let us be off at once," the old man wearily replied. "I am greatly confused and do not fully understand all that has taken place. You must thank the stranger for his kindness, though. His music was wonderful."

"But he has gone, father. He vanished among the crowd, and I am afraid that I shall never see him again. Oh, he was splendid! How I wish you could have seen him."

"But I heard him speak, Nan, and listened to his playing, so that was something."

They were standing close to each other, talking as simply as if they were completely alone. In her great innocence, Nan did not realise that greedy eyes were watching the bulging hat she was still holding before her, and that itching hands were but waiting an opportunity to snatch away the treasure.

They had turned to leave the place, when a policeman suddenly appeared before them.

"I have been instructed to accompany you home," he briefly informed them.

Into the girl's eyes came a look of fear which the policeman was not slow to notice.

"Don't be afraid, Miss," he remarked. "It is for your welfare that I am here. It is not safe for you to go alone through the streets with all that money. There are people watching you already to snatch it away from you."

"Are there?" and the girl looked fearfully around. "I don't see them."

"No, I know you don't. But they are watching you, nevertheless, so let us go at once."

"Who sent you here to help us?" the girl enquired, as they moved along by the side of the policeman. "Was it that kind man who played so nicely?"

"I received orders to come," was the reply. "That is all I can tell you. But I think you had better let me carry that money," he added, "perhaps it will be safer with me."

The girl was only too glad to comply with his request, for she was beginning to get quite nervous as they moved along through the crowds. She imagined now that many people were following them in order to steal their treasure.

It was quite a distance they had to travel, and very glad was the old man when at length they stopped before the door of a house on a narrow street.

"You live here?" the policeman asked, as he handed the hat with the money to the girl.

"Oh, no," was the reply. "We are only staying here for the night. We live in the country. This is a boarding place, and we have been here before. We are very grateful to you for your kindness, sir, and we shall never forget you."

"It's all in the night's work," the policeman replied. "But be careful of that money. Keep a good watch over it."

"Indeed I shall," and the girl hugged it close to her breast. "It means so much to us."

The policeman moved away, and then stopped and watched the house for a few minutes after the old man and the girl had entered the building.

"Good Lord! what innocents," he muttered to himself. "They wouldn't have got half a block with that money if I hadn't been along. I wonder how they'll make out getting away. Live in the country, the girl said. They should stay there, then. The city's certainly no place for such as them."

Continue Reading

You'll also like

The Scars She Hid From The World

The Scars She Hid From The World

REGINA MCBRIDE
4.5

The heavy iron gates of the Wilderness Correction Camp groaned as they released me after three years of state-sponsored hell. I stood on the dirt road, clutching a plastic bag that held my entire life, waiting for the family that claimed they sent me there for "rehab." My brother, Brady, picked me up in a luxury SUV only to throw me out onto a deserted highway in the middle of a brewing storm. He told me I was a "public relations nightmare" and that the rain might finally wash the "stink" of the camp off me. He drove away, leaving me to limp miles through the mud on a snapped ankle. When I finally dragged myself to our family estate, my mother didn't offer a hug; she gasped in horror because my muddy clothes were ruining her Italian marble. They didn't give me my old room back. Instead, they banished me to a moldy gardener’s shack and hired a "babysitter" to make sure I didn't embarrass them further. My sister, Kaleigh, stood there in white cashmere, pretending to cry while clinging to her fiancé, Ambrose—the man who had once been mine. They all treated me like a volatile junkie, refusing to acknowledge that Kaleigh was the one who planted the drugs in my bag three years ago. They wanted to believe I was broken so they wouldn't have to feel guilty about the "wellness retreat" that was actually a torture chamber. I sat in the dark of that shed, feeling the cooling gel on the cigarette burns that covered my arms, and realized they had made a fatal mistake. They thought they had erased me, but I had returned with a roadmap of scars and a hidden satellite phone. At dinner, I didn't beg for their love. I simply rolled up my sleeves and showed them the price of their silence. As the wine spilled and the lies crumbled, I sent a single text to the only person I trusted: "I'm in. Let them simmer." The hunt was finally on.

Flash Marriage To My Best Friend's Father

Flash Marriage To My Best Friend's Father

Madel Cerda
4.7

I was once the heiress to the Solomon empire, but after it crumbled, I became the "charity case" ward of the wealthy Hyde family. For years, I lived in their shadows, clinging to the promise that Anson Hyde would always be my protector. That promise shattered when Anson walked into the ballroom with Claudine Chapman on his arm. Claudine was the girl who had spent years making my life a living hell, and now Anson was announcing their engagement to the world. The humiliation was instant. Guests sneered at my cheap dress, and a waiter intentionally sloshed champagne over me, knowing I was a nobody. Anson didn't even look my way; he was too busy whispering possessively to his new fiancée. I was a ghost in my own home, watching my protector celebrate with my tormentor. The betrayal burned. I realized I wasn't a ward; I was a pawn Anson had kept on a shelf until he found a better trade. I had no money, no allies, and a legal trust fund that Anson controlled with a flick of his wrist. Fleeing to the library, I stumbled into Dallas Koch—a titan of industry and my best friend’s father. He was a wall of cold, absolute power that even the Hydes feared. "Marry me," I blurted out, desperate to find a shield Anson couldn't climb. Dallas didn't laugh. He pulled out a marriage agreement and a heavy fountain pen. "Sign," he commanded, his voice a low rumble. "But if you walk out that door with me, you never go back." I signed my name, trading my life for the only man dangerous enough to keep me safe.

Phoenix Rising: The Scarred Heiress's Revenge

Phoenix Rising: The Scarred Heiress's Revenge

Xiao Hong Mao
4.3

I lived as the "scarred ghost" of the Stephens penthouse, a wife kept in the shadows because my facial burns offended my billionaire husband’s aesthetic. For years, I endured Kason’s coldness and my family's abuse, a submissive puppet who believed she had nowhere else to go. The end came with a blue folder tossed onto my silk sheets. Kason’s mistress was back, and he wanted me out by sunset, offering a five-million-dollar "silence fee" to go hide my face in the countryside. The betrayal cut deep when I discovered my father had already traded my divorce for a corporate bailout. My step-sister mocked my "trashy" appearance at a high-end boutique, while the sales staff treated me like a common thief. At home, my father threatened to cut off my mother's life-saving medicine unless I crawled back to Kason to beg for a better deal. I was the girl who took the blame for a fire she didn't start, the wife who worshipped a man who never looked her in the eye, and the daughter used as a human bargaining chip. I was supposed to be broken, penniless, and desperate. But the woman who stood up wasn't the weak Elease Finch anymore; she was Phoenix, a tactical predator with a $500 million secret. I signed the divorce papers without a single tear, walked past my stunned husband, and wiped the Finch family's bank accounts clean with a few taps on my phone. "Your money is dirty," I told Kason with a cold smile. "I prefer clean hands." The cage is open, the hunt has begun, and I’m starting with the people who thought a scar made me weak.

Chapters
Read Now
Download Book
The Art Of Writing & Speaking The English Language / Word-Study and Composition & Rhetoric The Art Of Writing & Speaking The English Language / Word-Study and Composition & Rhetoric Sherwin Cody Literature
“Trajectory presents classics of world literature with 21st century features! Our original-text editions include the following visual enhancements to foster a deeper understanding of the work: Word Clouds at the start of each chapter highlight important words. Word, sentence, paragraph counts, and reading time help readers and teachers determine chapter complexity. Co-occurrence graphs depict character-to-character interactions as well character to place interactions. Sentiment indexes identify positive and negative trends in mood within each chapter. Frequency graphs help display the impact this book has had on popular culture since its original date of publication. Use Trajectory analytics to deepen comprehension, to provide a focus for discussions and writing assignments, and to engage new readers with some of the greatest stories ever told."The Moving Picture Girls: Or, First Appearances in Photo Dramas" is part of "The Moving Picture Girls" series. "The Moving Picture Girls" is a series about the adventures of Ruth and Alice DeVere who live with their father who is an actor.”
1

Chapter 1 STREET MUSIC

01/12/2017

2

Chapter 2 WHERE FLOWS THE TIDE

01/12/2017

3

Chapter 3 CONSCIENCE MONEY

01/12/2017

4

Chapter 4 SECRET PLANS

01/12/2017

5

Chapter 5 PUT TO THE TEST

01/12/2017

6

Chapter 6 DOWN BY THE RIVER

01/12/2017

7

Chapter 7 MENDING THINGS

01/12/2017

8

Chapter 8 HOME FOR REPAIRS

01/12/2017

9

Chapter 9 EVENING GLOW

01/12/2017

10

Chapter 10 PRIDE AND IMPUDENCE

01/12/2017

11

Chapter 11 THE FACE AT THE DOOR

01/12/2017

12

Chapter 12 ASTRAY ON THE HILLS

01/12/2017

13

Chapter 13 NOTICE TO QUIT

01/12/2017

14

Chapter 14 SETTLING THINGS

01/12/2017

15

Chapter 15 A WET DAY

01/12/2017

16

Chapter 16 TWIN FIRES

01/12/2017

17

Chapter 17 CRUEL AS THE GRAVE

01/12/2017

18

Chapter 18 SILENT STRIFE

01/12/2017

19

Chapter 19 WARMER THAN HE EXPECTED

01/12/2017

20

Chapter 20 CONFIDENCE

01/12/2017

21

Chapter 21 OUTDONE

01/12/2017

22

Chapter 22 COMPELLED TO SERVE

01/12/2017

23

Chapter 23 DISPELLING THE CLOUDS

01/12/2017

24

Chapter 24 EMPTY HEARS SOMETHING

01/12/2017

25

Chapter 25 PERVERTING JUSTICE

01/12/2017

26

Chapter 26 ON THE ROCKS

01/12/2017

27

Chapter 27 THE WILL OF THE PEOPLE

01/12/2017

28

Chapter 28 KNUCKLING UNDER

01/12/2017

29

Chapter 29 THE CHALLENGE

01/12/2017

30

Chapter 30 BY THE OLD PINE TREE

01/12/2017