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Dodo Collections brings you another classic from Arnold Bennett, '"The Regent."' 'The Regent' is, if not a sequel to 'The Card', then a 'Further Adventures of' the eponymous hero of that novel.Denry Machin is now forty-three and begins to feel that he is getting old, that making money and a happy home life are not enough and that he has lost his touch as the entrepreneur and entertainer of the 'Five Towns'.In fact, as he says to himself 'What I want is change - and a lot of it too!'. A chance meeting at the local theatre leads to his going to London and then...  Enoch Arnold Bennett (always known as Arnold Bennett) was one of the most remarkable literary figures of his time, a product of the English Potteries that he made famous as the Five Towns. Yet he could hardly wait to escape his home town, and he did so by the sheer force of his ambition to succeed as an author. In his time he turned his hand to every kind of writing, but he will be remembered for such novels as The Old Wives' Tale, the Clayhanger trilogy (Clayhanger, Hilda Lessways, and These Twain), and The Card. He also wrote such intriguing self-improvement books as Literary Taste, How To Live on 24 Hours a Day, The Human Machine, etc. After a local education Bennett finished his education at the University of London and for a time was editor of Woman magazine. After 1900 he devoted himself entirely to writing; dramatic criticism was one of his foremost interests. Bennett is best known, however, for his novels, several of which were written during his residence in France. Bennett's infancy was spent in genteel poverty, which gave way to prosperity as his father succeeded as a solicitor. From this provincial background he became a novelist. His enduring fame is as a Chronicler of the Potteries towns, the setting and inspiration of some of his most famous and enduring literary work and the place where he grew up.

The Regent Chapter 1 No.1

"And yet," Edward Henry Machin reflected as at six minutes to six he approached his own dwelling at the top of Bleakridge, "and yet-I don't feel so jolly after all!"

The first two words of this disturbing meditation had reference to the fact that, by telephoning twice to his stockbrokers at Manchester, he had just made the sum of three hundred and forty-one pounds in a purely speculative transaction concerning Rubber Shares. (It was in the autumn of the great gambling year, 1910.) He had simply opened his lucky and wise mouth at the proper moment, and the money, like ripe, golden fruit, had fallen into it, a gift from benign heaven, surely a cause for happiness! And yet-he did not feel so jolly! He was surprised, he was even a little hurt, to discover by introspection that monetary gain was not necessarily accompanied by felicity. Nevertheless, this very successful man of the world of the Five Towns, having been born on the 27th of May 1867, had reached the age of forty-three and a half years!

"I must be getting older," he reflected.

[1] He was right. He was still young, as every man of forty-three will agree, but he was getting older. A few years ago a windfall of three hundred and forty-one pounds would not have been followed by morbid self-analysis; it would have been followed by unreasoning, instinctive elation, which elation would have endured at least twelve hours.

As he disappeared within the reddish garden wall which sheltered his abode from the publicity of Trafalgar Road, he half hoped to see Nellie waiting for him on the famous marble step of the porch, for the woman had long, long since invented a way of scouting for his advent from the small window in the bathroom. But there was nobody on the marble step. His melancholy increased. At the mid-day meal he had complained of neuralgia, and hence this was an evening upon which he might fairly have expected to see sympathy charmingly attired in the porch. It is true that the neuralgia had completely gone. "Still," he said to himself with justifiable sardonic gloom, "how does she know my neuralgia's gone? She doesn't know."

Having opened the front-door (with the thinnest, neatest latch-key in the Five Towns), he entered his home and stumbled slightly over a brush that was lying against the sunk door-mat. He gazed at that brush with resentment. It was a dilapidated hand-brush. The offensive object would have been out of place, at nightfall, in the lobby of any house. But in the lobby of his house-the house which he had planned a dozen years earlier, to the special end of minimizing domestic labour, and which he had always kept up to date with the latest devices-in his lobby the spectacle of a vile, outworn hand-brush at tea-time amounted to a scandal. Less than a fortnight previously he had purchased and presented to his wife a marvellous electric vacuum-cleaner, surpassing [2] all former vacuum-cleaners. You simply attached this machine by a cord to the wall, like a dog, and waved it in mysterious passes over the floor, like a fan, and the house was clean! He was as proud of this machine as though he had invented it, instead of having merely bought it; every day he inquired about its feats, expecting enthusiastic replies as a sort of reward for his own keenness: and be it said that he had had enthusiastic replies.

And now this obscene hand-brush!

As he carefully removed his hat and his beautiful new Melton overcoat (which had the colour and the soft smoothness of a damson), he animadverted upon the astounding negligence of women. There were Nellie (his wife), his mother, the nurse, the cook, the maid-five of them; and in his mind they had all plotted together-a conspiracy of carelessness-to leave the inexcusable tool in his lobby for him to stumble over. What was the use of accidentally procuring three hundred and forty-one pounds?

Still no sign of Nellie, though he purposely made a noisy rattle with his ebon walking-stick. Then the maid burst out of the kitchen with a tray and the principal utensils for high tea thereon. She had a guilty air. The household was evidently late. Two steps at a time he rushed upstairs to the bathroom, so as to be waiting in the dining-room at six precisely, in order, if possible, to shame the household and fill it with remorse and unpleasantness. Yet ordinarily he was not a very prompt man, nor did he delight in giving pain. On the contrary, he was apt to be casual, blithe and agreeable.

The bathroom was his peculiar domain, which he was always modernizing, and where his talent for the ingenious organization of comfort, and his utter indifference to aesthetic beauty, had the fullest scope. [3] By universal consent admitted to be the finest bathroom in the Five Towns, it typified the whole house. He was disappointed on this occasion to see no untidy trace in it of the children's ablution; some transgression of the supreme domestic law that the bathroom must always be free and immaculate when father wanted it would have suited his gathering humour. As he washed his hands and cleansed his well-trimmed nails with a nail-brush that had cost five shillings and sixpence, he glanced at himself in the mirror, which he was splashing. A stoutish, broad-shouldered, fair, chubby man, with a short bright beard and plenteous bright hair! His necktie pleased him; the elegance of his turned-back wristbands pleased him; and he liked the rich down on his forearms.

He could not believe that he looked forty-three and a half. And yet he had recently had an idea of shaving off his beard, partly to defy time, but partly also (I must admit) because a friend had suggested to him, wildly, perhaps-that if he dispensed with a beard his hair might grow more sturdily ... Yes, there was one weak spot in the middle of the top of his head, where the crop had of late disconcertingly thinned! The hairdresser had informed him that the symptom would vanish under electric massage, and that, if he doubted the bona-fides of hairdressers, any doctor would testify to the value of electric massage. But now Edward Henry Machin, strangely discouraged, inexplicably robbed of the zest of existence, decided that it was not worth while to shave off his beard. Nothing was worth while. If he was forty-three and a half, he was forty-three and a half! To become bald was the common lot. Moreover, beardless, he would need the service of a barber every day. And he was absolutely [4] persuaded that not a barber worth the name could be found in the Five Towns. He actually went to Manchester-thirty-six miles-to get his hair cut. The operation never cost him less than a sovereign and half a day's time ... And he honestly deemed himself to be a fellow of simple tastes! Such is the effect of the canker of luxury. Happily he could afford these simple tastes, for, although not rich in the modern significance of the term, he paid income tax on some five thousand pounds a year, without quite convincing the Surveyor of Taxes that he was an honest man.

He brushed the thick hair over the weak spot, he turned down his wristbands, he brushed the collar of his jacket, and lastly, his beard; and he put on his jacket-with a certain care, for he was very neat. And then, reflectively twisting his moustache to military points, he spied through the smaller window to see whether the new high hoarding of the football-ground really did prevent a serious observer from descrying wayfarers as they breasted the hill from Hanbridge. It did not. Then he spied through the larger window upon the yard, to see whether the wall of the new rooms which he had lately added to his house showed any further trace of damp, and whether the new chauffeur was washing the new motor car with all his heart. The wall showed no further trace of damp, and the new chauffeur's bent back seemed to symbolize an extreme conscientiousness.

Then the clock on the landing struck six and he hurried off to put the household to open shame.

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Other books by Arnold Bennett

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Denry the Audacious

Denry the Audacious

Literature

5.0

Dodo Collections brings you another classic from Arnold Bennett, '"Denry the Audacious."' Like many of Arnold Bennett's works of fiction, the comic novel Denry the Audacious is set among the quaint village lanes of the Potteries District of Staffordshire. It is amidst this humble environment that the one-of-a-kind character Edward Henry Machin emerges from poverty and, largely through the force of his own indomitable will, achieves a measure of power and influence. Enoch Arnold Bennett (always known as Arnold Bennett) was one of the most remarkable literary figures of his time, a product of the English Potteries that he made famous as the Five Towns. Yet he could hardly wait to escape his home town, and he did so by the sheer force of his ambition to succeed as an author. In his time he turned his hand to every kind of writing, but he will be remembered for such novels as The Old Wives' Tale, the Clayhanger trilogy (Clayhanger, Hilda Lessways, and These Twain), and The Card. He also wrote such intriguing self-improvement books as Literary Taste, How To Live on 24 Hours a Day, The Human Machine, etc. After a local education Bennett finished his education at the University of London and for a time was editor of Woman magazine. After 1900 he devoted himself entirely to writing; dramatic criticism was one of his foremost interests. Bennett is best known, however, for his novels, several of which were written during his residence in France. Bennett's infancy was spent in genteel poverty, which gave way to prosperity as his father succeeded as a solicitor. From this provincial background he became a novelist.His enduring fame is as a Chronicler of the Potteries towns, the setting and inspiration of some of his most famous and enduring literary work and the place where he grew up.

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Rising From Wreckage: Starfall's Epic Comeback

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Huo Wuer
4.5

Rain hammered against the asphalt as my sedan spun violently into the guardrail on the I-95. Blood trickled down my temple, stinging my eyes, while the rhythmic slap of the windshield wipers mocked my panic. Trembling, I dialed my husband, Clive. His executive assistant answered instead, his voice professional and utterly cold. "Mr. Wilson says to stop the theatrics. He said, and I quote, 'Hang up. Tell her I don’t have time for her emotional blackmail tonight.'" The line went dead while I was still trapped in the wreckage. At the hospital, I watched the news footage of Clive wrapping his jacket around his "fragile" ex-girlfriend, Angelena, shielding her from the storm I was currently bleeding in. When I returned to our penthouse, I found a prenatal ultrasound in his suit pocket, dated the day he claimed to be on a business trip. Instead of an apology, Clive met me with a sneer. He told me I was nothing but an "expensive decoration" his father bought to make him look stable. He froze my bank accounts and cut off my cards, waiting for the hunger to drive me back to his feet. I stared at the man I had loved for four years, realizing he didn't just want a wife; he wanted a prop he could switch off. He thought he could starve me into submission while he played father to another woman's child. But Clive forgot one thing. Before I was his trophy wife, I was Starfall—the legendary voice actress who vanished at the height of her fame. "I'm not jealous, Clive. I'm done." I grabbed my old microphone and walked out. I’m not just leaving him; I’m taking the lead role in the biggest saga in Hollywood—the one Angelena is desperate for. This time, the "decoration" is going to burn his world down.

The Billionaire's Cold And Bitter Betrayal

The Billionaire's Cold And Bitter Betrayal

Clara Bennett
5.0

I had just survived a private jet crash, my body a map of violet bruises and my lungs still burning from the smoke. I woke up in a sterile hospital room, gasping for my husband's name, only to realize I was completely alone. While I was bleeding in a ditch, my husband, Adam, was on the news smiling at a ribbon-cutting ceremony. When I tracked him down at the hospital's VIP wing, I didn't find a grieving husband. I found him tenderly cradling his ex-girlfriend, Casie, in his arms, his face lit with a protective warmth he had never shown me as he carried her into the maternity ward. The betrayal went deeper than I could have imagined. Adam admitted the affair started on our third anniversary-the night he claimed he was stuck in London for a merger. Back at the manor, his mother had already filled our planned nursery with pink boutique bags for Casie's "little princess." When I demanded a divorce, Adam didn't flinch. He sneered that I was "gutter trash" from a foster home and that I'd be begging on the streets within a week. To trap me, he froze my bank accounts, cancelled my flight, and even called the police to report me for "theft" of company property. I realized then that I wasn't his partner; I was a charity case he had plucked from obscurity to manage his life. To the Hortons, I was just a servant who happened to sleep in the master bedroom, a "resilient" woman meant to endure his abuse in silence while the whole world laughed at the joke that was my marriage. Adam thought stripping me of his money would make me crawl back to him. He was wrong. I walked into his executive suite during his biggest deal of the year and poured a mug of sludge over his original ten-million-dollar contracts. Then, right in front of his board and his mistress, I stripped off every designer thread he had ever paid for until I was standing in nothing but my own silk camisole. "You can keep the clothes, Adam. They're as hollow as you are." I grabbed my passport, turned my back on his billions, and walked out of that glass tower barefoot, bleeding, and finally free.

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I watched my husband sign the papers that would end our marriage while he was busy texting the woman he actually loved. He didn't even glance at the header. He just scribbled the sharp, jagged signature that had signed death warrants for half of New York, tossed the file onto the passenger seat, and tapped his screen again. "Done," he said, his voice devoid of emotion. That was Dante Moretti. The Underboss. A man who could smell a lie from a mile away but couldn't see that his wife had just handed him an annulment decree disguised beneath a stack of mundane logistics reports. For three years, I scrubbed his blood out of his shirts. I saved his family's alliance when his ex, Sofia, ran off with a civilian. In return, he treated me like furniture. He left me in the rain to save Sofia from a broken nail. He left me alone on my birthday to drink champagne on a yacht with her. He even handed me a glass of whiskey—her favorite drink—forgetting that I despised the taste. I was merely a placeholder. A ghost in my own home. So, I stopped waiting. I burned our wedding portrait in the fireplace, left my platinum ring in the ashes, and boarded a one-way flight to San Francisco. I thought I was finally free. I thought I had escaped the cage. But I underestimated Dante. When he finally opened that file weeks later and realized he had signed away his wife without looking, the Reaper didn't accept defeat. He burned down the world to find me, obsessed with reclaiming the woman he had already thrown away.

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4.3

I sat in the gray, airless room of the New York State Department of Corrections, my knuckles white as the Warden delivered the news. "Parole denied." My father, Howard Sterling, had forged new evidence of financial crimes to keep me behind bars. He walked into the room, smelling of expensive cologne, and tossed a black folder onto the steel table. It was a marriage contract for Lucas Kensington, a billionaire currently lying in a vegetative state in the ICU. "Sign it. You walk out today." I laughed at the idea of being sold to a "corpse" until Howard slid a grainy photo toward me. It showed a toddler with a crescent-moon birthmark—the son Howard told me had died in an incubator five years ago. He smiled and told me the boy's safety depended entirely on my cooperation. I was thrust into the Kensington estate, where the family treated me like a "drowned rat." They dressed me in mothball-scented rags and mocked my status, unaware that I was monitoring their every move. I watched the cousin, Julian, openly waiting for Lucas to die to inherit the empire, while the doctors prepared to sign the death certificate. I didn't understand why my father would lie about my son’s death for years, or what kind of monsters would use a child as a bargaining chip. The injustice of it burned in my chest as I realized I was just a pawn in a game of old money and blood. As the monitors began to flatline and the family started to celebrate their inheritance, I locked the door and reached into the hem of my dress. I pulled out the sharpened silver wires I’d fashioned in the prison workshop. They thought they bought a submissive convict, but they actually invited "The Saint"—the world’s most dangerous underground surgeon—into their home. "Wake up, Lucas. You owe me a life." I wasn't there to be a bride; I was there to wake the dead and burn their empire to the ground.

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Trigger/Content Warning: This story contains mature themes and explicit content intended for adult audiences(18+). Reader discretion is advised. It includes elements such as BDSM dynamics, explicit sexual content, toxic family relationships, occasional violence and strong language. This is not a fluffy romance. It is intense, raw and messy, and explores the darker side of desire. ***** "Take off your dress, Meadow." "Why?" "Because your ex is watching," he said, leaning back into his seat. "And I want him to see what he lost." ••••*••••*••••* Meadow Russell was supposed to get married to the love of her life in Vegas. Instead, she walked in on her twin sister riding her fiance. One drink at the bar turned to ten. One drunken mistake turned into reality. And one stranger's offer turned into a contract that she signed with shaking hands and a diamond ring. Alaric Ashford is the devil in a tailored Tom Ford suit. Billionaire CEO, brutal, possessive. A man born into an empire of blood and steel. He also suffers from a neurological condition-he can't feel. Not objects, not pain, not even human touch. Until Meadow touches him, and he feels everything. And now he owns her. On paper and in his bed. She wants him to ruin her. Take what no one else could have. He wants control, obedience... revenge. But what starts as a transaction slowly turns into something Meadow never saw coming. Obsession, secrets that were never meant to surface, and a pain from the past that threatens to break everything. Alaric doesn't share what's his. Not his company. Not his wife. And definitely not his vengeance.

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The Regent The Regent Arnold Bennett Literature
“Dodo Collections brings you another classic from Arnold Bennett, '"The Regent."' 'The Regent' is, if not a sequel to 'The Card', then a 'Further Adventures of' the eponymous hero of that novel.Denry Machin is now forty-three and begins to feel that he is getting old, that making money and a happy home life are not enough and that he has lost his touch as the entrepreneur and entertainer of the 'Five Towns'.In fact, as he says to himself 'What I want is change - and a lot of it too!'. A chance meeting at the local theatre leads to his going to London and then... Enoch Arnold Bennett (always known as Arnold Bennett) was one of the most remarkable literary figures of his time, a product of the English Potteries that he made famous as the Five Towns. Yet he could hardly wait to escape his home town, and he did so by the sheer force of his ambition to succeed as an author. In his time he turned his hand to every kind of writing, but he will be remembered for such novels as The Old Wives' Tale, the Clayhanger trilogy (Clayhanger, Hilda Lessways, and These Twain), and The Card. He also wrote such intriguing self-improvement books as Literary Taste, How To Live on 24 Hours a Day, The Human Machine, etc. After a local education Bennett finished his education at the University of London and for a time was editor of Woman magazine. After 1900 he devoted himself entirely to writing; dramatic criticism was one of his foremost interests. Bennett is best known, however, for his novels, several of which were written during his residence in France. Bennett's infancy was spent in genteel poverty, which gave way to prosperity as his father succeeded as a solicitor. From this provincial background he became a novelist. His enduring fame is as a Chronicler of the Potteries towns, the setting and inspiration of some of his most famous and enduring literary work and the place where he grew up.”
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