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The Legend of Zelda Breath of the Wild

Beneath His Ugly Wife's Mask: Her Revenge Was Her Brilliance

Beneath His Ugly Wife's Mask: Her Revenge Was Her Brilliance

Lukas Difabio
Elliana, the unfavored "ugly duckling" of her family, was humiliated by her stepsister, Paige, who everyone admired. Paige, engaged to the CEO Cole, was the perfect woman-until Cole married Elliana on the day of the wedding. Shocked, everyone wondered why he chose the "ugly" woman. As they waited for her to be cast aside, Elliana stunned everyone by revealing her true identity: a miracle healer, financial mogul, appraisal prodigy, and AI genius. When her mistreatment became known, Cole revealed Elliana's stunning, makeup-free photo, sending shockwaves through the media. "My wife doesn't need anyone's approval."
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When for the third or fourth time during the spring or summer I take my hoe and go out and cut off the heads of the lusty burdocks that send out their broad leaves along the edge of my garden or lawn, I often ask myself, "What is this thing that is so hard to scotch here in the grass?" I decapitate it time after time and yet it forthwith gets itself another head.

We call it burdock, but what is burdock, and why does it not change into yellow dock, or into a cabbage? What is it that is so constant and so irrepressible, and before the summer is ended will be lying in wait here with its ten thousand little hooks to attach itself to every skirt or bushy tail or furry or woolly coat that comes along, in order to get free transportation to other lawns and gardens, to green fields and pastures new?

It is some living thing; but what is a living thing, and how does it differ from a mechanical and non-living thing? If I smash or overturn the sundial with my hoe, or break the hoe itself, these things stay smashed and broken, but the burdock mends itself, renews itself, and, if I am not on my guard, will surreptitiously mature some of the burs before the season is passed.

Evidently a living thing is radically different from a mechanical thing; yet modern physical science tells me that the burdock is only another kind of machine, and manifests nothing but the activity of the mechanical and chemical principles that we see in operation all about us in dead matter; and that a little different mechanical arrangement of its ultimate atoms would turn it into a yellow dock or into a cabbage, into an oak or into a pine, into an ox or into a man.

I see that it is a machine in this respect, that it is set going by a force exterior to itself-the warmth of the sun acting upon it, and upon the moisture in the soil; but it is unmechanical in that it repairs itself and grows and reproduces itself, and after it has ceased running can never be made to run again. After I have reduced all its activities to mechanical and chemical principles, my mind seems to see something that chemistry and mechanics do not explain-something that avails itself of these forces, but is not of them. This may be only my anthropomorphic way of looking at things, but are not all our ways of looking at things anthropomorphic? How can they be any other? They cannot be deific since we are not gods. They may be scientific. But what is science but a kind of anthropomorphism? Kant wisely said, "It sounds at first singular, but is none the less certain, that the understanding does not derive its laws from nature, but prescribes them to nature." This is the anthropomorphism of science.

If I attribute the phenomenon of life to a vital force or principle, am I any more unscientific than I am when I give a local habitation and a name to any other causal force, as gravity, chemical affinity, cohesion, osmosis, electricity, and so forth? These terms stand for certain special activities in nature and are as much the inventions of our own minds as are any of the rest of our ideas.

We can help ourselves out, as Haeckel does, by calling the physical forces-such as the magnet that attracts the iron filings, the powder that explodes, the steam that drives the locomotive, and the like-"living inorganics," and looking upon them as acting by "living force as much as the sensitive mimosa does when it contracts its leaves at touch." But living force is what we are trying to differentiate from mechanical force, and what do we gain by confounding the two? We can only look upon a living body as a machine by forming new conceptions of a machine-a machine utterly unmechanical, which is a contradiction of terms.

A man may expend the same kind of force in thinking that he expends in chopping his wood, but that fact does not put the two kinds of activity on the same level. There is no question but that the food consumed is the source of the energy in both cases, but in the one the energy is muscular, and in the other it is nervous. When we speak of mental or spiritual force, we have as distinct a conception as when we speak of physical force. It requires physical force to produce the effect that we call mental force, though how the one can result in the other is past understanding. The law of the correlation and conservation of energy requires that what goes into the body as physical force must come out in some form of physical force-heat, light, electricity, and so forth.

Science cannot trace force into the mental realm and connect it with our states of consciousness. It loses track of it so completely that men like Tyndall and Huxley and Spencer pause before it as an inscrutable mystery, while John Fiske helps himself out with the conception of the soul as quite independent of the body, standing related to it as the musician is related to his instrument. This idea is the key to Fiske's proof of the immortality of the soul. Finding himself face to face with an insoluble mystery, he cuts the knot, or rather, clears the chasm, by this extra-scientific leap. Since the soul, as we know it, is inseparably bound up with physical conditions, it seems to me that a more rational explanation of the phenomenon of mentality is the conception that the physical force and substance that we use up in a mental effort or emotional experience gives rise, through some unknown kind of molecular activity, to something which is analogous to the electric current in a live wire, and which traverses the nerves and results in our changing states of consciousness. This is the mechanistic explanation of mind, consciousness, etc., but it is the only one, or kind of one, that lends itself to scientific interpretation. Life, spirit, consciousness, may be a mode of motion as distinct from all other modes of motion, such as heat, light, electricity, as these are distinct from each other.

When we speak of force of mind, force of character, we of course speak in parables, since the force here alluded to is an experience of our own minds entirely and would not suffice to move the finest dust-particle in the air.

There could be no vegetable or animal life without the sunbeam, yet when we have explained or accounted for the growth of a tree in terms of the chemistry and physics of the sunbeam, do we not have to figure to ourselves something in the tree that avails itself of this chemistry, that uses it and profits by it? After this mysterious something has ceased to operate, or play its part, the chemistry of the sunbeam is no longer effective, and the tree is dead.

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