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Dodo Collections brings you another classic from Elinor Glyn, 'Halcyone.' Outside one of the park gates there was a little house. In the prosperous days of the La Sarthe it had been the land steward but when there was no longer any land to steward it had gone with the rest, and for several years had been uninhabited. Elinor Glyn began her writing in 1900, starting with a book based on letters to her mother, 'The Visits of Elizabeth'. And thereafter she more or less wrote one book each year to keep the wolf from the door, as her husband was debt-ridden from 1908, and also to keep up her standard of living. After several years of illness her husband died in 1915. Early in her writing career she was recognised as one of the pioneers of what could be called erotic fiction, although not by modern-day standards, and she coined the use of the world 'It' to mean at the time sex-appeal and she helped to make Clara Bow a star by the use of the sobriquet for her of 'The It Girl'. On the strength of her reputation and success she moved to Hollywood in 1920 and in 1921 was featured as one of the famous personalities in a Ralph Barton cartoon drawn especially for 'Vanity Fair' magazine. A number of her books were made into films, most notably 'Beyond the Rocks' (1906), which starred Rudolph Valentino and Gloria Swanson, and she was a scriptwriter for the silent movie industry, working for both MGM and Paramount Pictures in the mid-1920s. In addition she also had a brief career as one of the earliest female directors.

Halcyone Chapter 1 No.1

Outside one of the park gates there was a little house. In the prosperous days of the La Sarthe it had been the land steward's-but when there was no longer any land to steward it had gone with the rest, and for several years had been uninhabited.

One day in early spring Halcyone saw smoke coming out of the chimney. This was too interesting a fact not to be investigated; she resented it, too-because a hole in the park paling had often let her into the garden and there was a particularly fine apple tree there whose fruit she had yearly enjoyed.

She crept nearer, a tall, slender shape, with mouse-colored hair waving down her back, and a scarlet cap pulled jauntily over her brow-the delightful feeling of adventure tingling in her veins. Yes, the gap was there, it had not been mended yet-she would penetrate and see for herself who this intruder could be.

She climbed through and stole along the orchard and up to the house. Signs of mending were around the windows, in the shape of a new board here and there in the shutters; but nothing further. She peeped over the low sill, and there her eyes met those of an old man seated in a shabby armchair, amid piles and piles of books. He had evidently been reading while he smoked a long, clay pipe.

He was a fine old man with a splendid presence, his gray hair was longer than is usual and a silvery beard flowed over his chest.

Halcyone at once likened him to Cheiron in the picture of him in her volume of Kingsley's "Heroes."

They stared at one another and the old man rose and came to the window.

Halcyone did not move.

"Who are you, little girl?" he said. "And what do you want?"

"I want to know who you are, and why you have come here?" she answered fearlessly. "I am Halcyone, you know."

The old man smiled.

"That ought to tell me everything," he said, gravely, "but unfortunately it does not! Who is Halcyone?"

"I live at La Sarthe Chase with the Aunts La Sarthe," she said proudly, as though La Sarthe Chase had been Windsor Castle-"and I have been accustomed to play in this garden. I don't like your being here much."

"I am sorry for that, because it suits me and I have bought it. But how would it be if I said you might come into the garden still and play? Would you forgive me then for being here?"

"I might," said Halcyone. "What are all these books for?"

"They are to read."

"I knew that-" and she frowned, beetling her delicate dark brows, "but why such a lot? You can never read them all."

The old man smiled.

"I have read most of them already," he said. "I have had plenty of time, you see."

"Yes, I dare say you are old," said Halcyone- "and what are they about? I would like to know that. My books so seldom interest me."

He handed her one through the window, but it was written in Greek and she could not read it. She frowned again as she turned over the pages.

"Perhaps there is something nice in that," she said.

"Possibly."

"Well, won't you tell me what?"

"That would take a long time-suppose you come in and have tea with me, then we could talk comfortably."

"That sounds a good plan," she said, gravely. "Shall I climb through the window-I can quite easily-or would you like me to go round by the door?"

"The window will serve," said the old man.

And with one bound as light as a young kid, Halcyone was in the room.

There was a second armchair beyond the pile of books, and into that she nestled, crossing her knees and clasping her hands round them. "Now we can begin," she said.

"Tea or talk?" asked the old man.

"Why, talk, of course; there is no tea-"

"But if you rang that bell some might come."

Halcyone jumped up again and looked about for the bell. She was not going to ask where it was-she disliked stupid people herself. The old man watched her from under the penthouse of his eyebrows with a curious smile.

The bell was hidden in the carving of the mantelpiece, but she found it at last and gave it a lusty pull.

It seemed answered instantaneously by a strange-looking man,-a dark, extremely thin person with black, dull eyes.

The old man spoke to him in an unknown language and he retired silently.

"Who was that?" asked Halcyone.

"That is my servant,-he will bring tea."

"He is not English?"

"No-does that matter?"

"Of course not-but what country does he come from?"

"You must ask him someday."

"I want to see countries," and she stretched out her slender arms, "I want to fly away outside the park and see the world."

"You have time," said the old man.

"When I am big enough I shall run away-I get very tired of only the Aunts La Sarthe. They never understand a word I say." "What do you say?"

"I want to say all sorts of things, but if it isn't what they have heard a hundred times before, they look shocked and pained."

"You must come and say them to me then, perhaps I might understand, and in any case I should not be shocked or pained."

"They remind me of the Three Gray Sisters, although there are only two of them-one eye and one tooth between them."

"I see-there is something we can talk about at all events," said the old man. "The Three Gray Sisters are friends of yours-are they?"

"Not friends!" Haley one exclaimed emphatically. "I can't bear them, silly old things nodding there, with their ridiculous answers to Perseus, saying old things were better than new-and their day better than his-I should have thrown their eye into the sea if I had been he. Do all old people do that?-pretend their time was the best?-do you? I don't mean to."

"You are right. It is a bad habit."

"But are they better, the old things?"

The old man did not answer for a moment or two. He looked his visitor through and through with his wise gray eyes-an investigation which might have disconcerted some people, but Halcyone was unabashed.

"I know what you are doing," she said. "You are seeing the other side of my head-and I wish I could see the other side of yours, I can the Aunts' La Sarthe and Priscilla's, in a minute, but yours is different."

"I am glad of that-you might be disappointed, though, if you did see what was there."

"I always want to see," she said simply-"see everything; and sometimes I find the other side not a bit what this is-even in the birds and trees and the beetles. But you must have a huge big one."

The old man laughed.

"You and I are going to be good acquaintances," he said. "Tell me some more of Perseus. What more do you know of him?"

"I have only read 'The Heroes,'" Halcyone admitted, "but I know it by heart-and I know it is all true though my governess says it is fairy-tales and not for girls. I want to learn Greek, but they can't teach me."

"That is too bad."

"When things are put vaguely I always want to know, them-I want to know why Medusa turned into a gorgon? What was her sin?"

The old man smiled.

"I see," said Halcyone, "you won't tell me, but some day I shall know."

"Yes, some day you shall know," he said.

"They seem such great people, those Greeks; they knew everything-so the preface of my 'Heroes' says, and I want to learn the things they knew-mathematics and geometry, rather-and especially logic and metaphysics, because I want to know the meaning of words and the art of reasoning, and above everything I want to know about my own thoughts and soul." "You strange little girl," said the old man. "Have you a soul?"

"I don't know, I have something in there," and Halcyone pointed to her head-"and it talks to me like another voice, and when I am alone up a tree away from people, and all is beautiful, it seems to make it tight round here,-and go from my head into my side," and she placed her lean brown paw over her heart.

"Yes-you perhaps have a soul," said the old man, and then he added, half to himself-"What a pity."

"Why a pity?" demanded Halcyone.

"Because a woman with a soul suffers, and brings tribulation-but since you have one we may as well teach you how to keep the thing in hand."

At that moment, the dark servant brought tea, and the fine oriental china pleased Halcyone whose perceptions took in the texture of every single thing she came in contact with.

The old man seemed to go into a reverie, he was quite silent while he poured out the tea, forgetting to enquire her tastes as to cream and sugar-he drank his black-and handed Halcyone a cup of the same.

She looked at him, her inquiring eyes full of intelligence and understanding, and she realized at once that these trifles were not in his consideration for the moment. So she helped herself to what she wanted and sat down again in her armchair. She did not even rattle her teaspoon. Priscilla often made noises which irritated her when she was thinking. The old man came back to a remembrance of her presence at last.

"Little girl," he said-"would you like to come here pretty often and learn Greek, and about the Greeks?"

Halcyone bounded from her chair with joy.

"But of course I would!" she said. "And I am not stupid-not really stupid Mademoiselle says, when I want to learn things."

"No-I dare say you are not stupid," the old man said. "So it is a bargain then; I shall teach you about my friends the Greeks, and you shall teach me about the green trees, and your friends the rabbits and the beetles."

Then those instinctive good manners of Halcyone's came uppermost, inherited, like her slender shape and balanced head, from that long line of La Sarthe ancestors, and she thanked the old man with a quaint, courtly, sweetly pedantic grace. Then she got up to go-

"I like being here-and may I come again to-morrow?" she said afterwards. "I must go now or they will be disagreeable and perhaps make difficulties."

The old man watched her as she curtsied to him and vaulted through the window again, and on down the path, and through the hole in the paling, without once turning round. Then he muttered to himself:

"A woman thing who refrains from looking back!-Yes, I fear she has a soul."

Then he returned to his pipe and his Aristotle.

* * *

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Halcyone Halcyone Elinor Glyn Literature
“Dodo Collections brings you another classic from Elinor Glyn, 'Halcyone.' Outside one of the park gates there was a little house. In the prosperous days of the La Sarthe it had been the land steward but when there was no longer any land to steward it had gone with the rest, and for several years had been uninhabited. Elinor Glyn began her writing in 1900, starting with a book based on letters to her mother, 'The Visits of Elizabeth'. And thereafter she more or less wrote one book each year to keep the wolf from the door, as her husband was debt-ridden from 1908, and also to keep up her standard of living. After several years of illness her husband died in 1915. Early in her writing career she was recognised as one of the pioneers of what could be called erotic fiction, although not by modern-day standards, and she coined the use of the world 'It' to mean at the time sex-appeal and she helped to make Clara Bow a star by the use of the sobriquet for her of 'The It Girl'. On the strength of her reputation and success she moved to Hollywood in 1920 and in 1921 was featured as one of the famous personalities in a Ralph Barton cartoon drawn especially for 'Vanity Fair' magazine. A number of her books were made into films, most notably 'Beyond the Rocks' (1906), which starred Rudolph Valentino and Gloria Swanson, and she was a scriptwriter for the silent movie industry, working for both MGM and Paramount Pictures in the mid-1920s. In addition she also had a brief career as one of the earliest female directors.”
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Chapter 23 No.23

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Chapter 24 No.24

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Chapter 26 No.26

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Chapter 27 No.27

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Chapter 29 No.29

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Chapter 30 No.30

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Chapter 31 No.31

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Chapter 32 No.32

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Chapter 33 No.33

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Chapter 34 No.34

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