Incompatible

His Trophy Wife, The Apex Predator

Eydie Pfefferle

My husband of three years, Arthur Vanderbilt, came home smelling of his mistress's perfume and threw divorce papers on our marble kitchen island. He demanded I sign away all rights to our assets for a five-million-dollar "severance," calling me a leech his family picked up from the suburbs to solve a temporary PR crisis. When I refused and demanded my four percent equity in the Vanderbilt Group, he and his mistress, Serena, launched a vicious smear campaign. They planted false stories on Wall Street forums, accusing me of laundering money for an Eastern European crime syndicate. They tried to force my hand with a check for five hundred million, which I tore up and threw in his face. To them, I was just a trophy wife they could easily discard. They had no idea that the "leech" they so despised was the anonymous investor who had secretly bailed out their entire company three years ago, saving them from bankruptcy. Their final move was to hire an actress to publicly accuse me of fraud in the lobby of the most powerful law firm in Manhattan. They didn't realize I was there to retain the firm's most ruthless lawyer. After security threw them out, I looked my replacement in the eye and made her a promise. "Prepare for an FBI probe into perjury and corporate defamation."

Modern Revenge

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< Serena >

Paintings.

I always love them. Whenever there was an art show near Manhattan, I make it a point to go, check the artworks and possibly buy one. Or two. Or three of them.

What I look for in a painting are the strokes the painter uses, the use of colors and how they blend in with the picture in general, and of course, the drawing.

I'm a sucker for fantasy-inspired paintings. Fantastical landscapes, still pictures, mythical creatures, men and women wearing weird clothing, oh yes. I collect them all. They always reach out to a part of my soul that I had been guarding since I lost my parents. They always call out to a part of me that I'm not sure what.

Maybe, my parents as painters could be a reason. They influenced my tastes after all. But deep inside me, I knew there was always something special about these type of paintings that I couldn't quite figure out.

One rainy day, I ran across an antique shop in downtown Manhattan about to be closed by the bank for bankruptcy. The different antique displays were spread all over the street in the hopes that some passers-by would still buy them.

I caught sight of a beautiful painting of a landscape. Breathtaking it was and purely, for lack of a better word, out-of-this-world. The painting showed a mountain range with its slopes covered in autumn trees. In the center of this mountain range, just nestled on top the hill, was a silver castle. The details were extraordinary. Magical even. I couldn't resist its call, so in the end, I bought it. Plus, I didn't want it to be wet with the rain. I wanted to give it a home.

The antique shop owner, an old lady probably in her late sixties, was gracious enough to give me a discount considering the painting had smudges on the edges due to its aged state. I was kind enough to refuse it. If she was in bankruptcy, at least my full payment of the painting would help her in some way.

"May the magic be with you always, " she said with a smile as we parted.

I just shrugged my shoulders never really thinking much of about her words.

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