Incompatible

The Scars She Hid From The World

REGINA MCBRIDE

The heavy iron gates of the Wilderness Correction Camp groaned as they released me after three years of state-sponsored hell. I stood on the dirt road, clutching a plastic bag that held my entire life, waiting for the family that claimed they sent me there for "rehab." My brother, Brady, picked me up in a luxury SUV only to throw me out onto a deserted highway in the middle of a brewing storm. He told me I was a "public relations nightmare" and that the rain might finally wash the "stink" of the camp off me. He drove away, leaving me to limp miles through the mud on a snapped ankle. When I finally dragged myself to our family estate, my mother didn't offer a hug; she gasped in horror because my muddy clothes were ruining her Italian marble. They didn't give me my old room back. Instead, they banished me to a moldy gardener’s shack and hired a "babysitter" to make sure I didn't embarrass them further. My sister, Kaleigh, stood there in white cashmere, pretending to cry while clinging to her fiancé, Ambrose—the man who had once been mine. They all treated me like a volatile junkie, refusing to acknowledge that Kaleigh was the one who planted the drugs in my bag three years ago. They wanted to believe I was broken so they wouldn't have to feel guilty about the "wellness retreat" that was actually a torture chamber. I sat in the dark of that shed, feeling the cooling gel on the cigarette burns that covered my arms, and realized they had made a fatal mistake. They thought they had erased me, but I had returned with a roadmap of scars and a hidden satellite phone. At dinner, I didn't beg for their love. I simply rolled up my sleeves and showed them the price of their silence. As the wine spilled and the lies crumbled, I sent a single text to the only person I trusted: "I'm in. Let them simmer." The hunt was finally on.

Modern Revenge Scheming

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< Serena >

Paintings.

I always love them. Whenever there was an art show near Manhattan, I make it a point to go, check the artworks and possibly buy one. Or two. Or three of them.

What I look for in a painting are the strokes the painter uses, the use of colors and how they blend in with the picture in general, and of course, the drawing.

I'm a sucker for fantasy-inspired paintings. Fantastical landscapes, still pictures, mythical creatures, men and women wearing weird clothing, oh yes. I collect them all. They always reach out to a part of my soul that I had been guarding since I lost my parents. They always call out to a part of me that I'm not sure what.

Maybe, my parents as painters could be a reason. They influenced my tastes after all. But deep inside me, I knew there was always something special about these type of paintings that I couldn't quite figure out.

One rainy day, I ran across an antique shop in downtown Manhattan about to be closed by the bank for bankruptcy. The different antique displays were spread all over the street in the hopes that some passers-by would still buy them.

I caught sight of a beautiful painting of a landscape. Breathtaking it was and purely, for lack of a better word, out-of-this-world. The painting showed a mountain range with its slopes covered in autumn trees. In the center of this mountain range, just nestled on top the hill, was a silver castle. The details were extraordinary. Magical even. I couldn't resist its call, so in the end, I bought it. Plus, I didn't want it to be wet with the rain. I wanted to give it a home.

The antique shop owner, an old lady probably in her late sixties, was gracious enough to give me a discount considering the painting had smudges on the edges due to its aged state. I was kind enough to refuse it. If she was in bankruptcy, at least my full payment of the painting would help her in some way.

"May the magic be with you always, " she said with a smile as we parted.

I just shrugged my shoulders never really thinking much of about her words.

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