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The Fisher Girl by Bj?rnstjerne Bj?rnson

Chapter 1 Page scan source:

http://www.archive.org/details/fishergirl00bjgoog

THE

FISHER GIRL

BY

BJ?RNSTJERNE BJ?RNSON.

TRANSLATED FROM THE NORWEGIAN

BY

SIVERT AND ELIZABETH HJERLEID.

(Translators of Ovind.)

LONDON:

TRüBNER AND CO.

* * *

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Captain Mansana and Mother's Hands

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Literature

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<p> <i>Cannibals All!<\/i> got more attention in William Lloyd Garrison's <i>Liberator<\/i> than any other book in the history of that abolitionist journal. And Lincoln is said to have been more angered by George Fitzhugh than by any other pro-slavery writer, yet he unconsciously paraphrased <i>Cannibals All!<\/i> in his House Divided speech. <\/p><p> <\/p><p> Fitzhugh was provocative because of his stinging attack on free society, laissez-faire economy, and wage slavery, along with their philosophical underpinnings. He used socialist doctrine to defend slavery and drew upon the same evidence Marx used in his indictment of capitalism. Socialism, he held, was only \"the new fashionable name for slavery,\" though slavery was far more humane and responsible, \"the best and most common form of socialism.\" <\/p><p> <\/p><p> His most effective testimony was furnished by the abolitionists themselves. He combed the diatribes of their friends, the reformers, transcendentalists, and utopians, against the social evils of the North. \"Why all this,\" he asked, \"except that free society is a failure?\" <\/p><p> <\/p><p> The trouble all started, according to Fitzhugh, with John Locke, \"a presumptuous charlatan,\" and with the heresies of the Enlightenment. In the great Lockean consensus that makes up American thought from Benjamin Franklin to Franklin Roosevelt, Fitzhugh therefore stands out as a lone dissenter who makes the conventional polarities between Jefferson and Hamilton, or Hoover and Roosevelt, seem insignificant. Beside him Taylor, Randolph, and Calhoun blend inconspicuously into the American consensus, all being apostles of John Locke in some degree. An intellectual tradition that suffers from uniformity--even if it is virtuous, liberal conformity--could stand a bit of contrast, and George Fitzhugh can supply more of it than any other American thinker. <\/p>

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I was the long-lost Donovan heiress, finally brought home after a childhood in foster care. My parents adored me, my husband cherished me, and the woman who tried to ruin my life, Kiera Reese, was locked away in a mental facility. I was safe. I was loved. On my birthday, I decided to surprise my husband, Ivan, at his office. But he wasn't there. I found him at a private art gallery across town. He was with Kiera. She wasn't in a facility. She was radiant, laughing as she stood beside my husband and their five-year-old son. I watched through the glass as Ivan kissed her, a familiar, loving gesture he’d used with me just that morning. I crept closer and overheard them. My birthday wish to go to the amusement park had been denied because he’d already promised the entire park to their son—whose birthday was the same day as mine. "She’s so grateful to have a family, she’d believe anything we tell her," Ivan said, his voice laced with a cruelty that stole my breath. "It's almost sad." My entire reality—my loving parents who funded this secret life, my devoted husband—was a five-year lie. I was just the fool they kept on stage. My phone buzzed. It was a text from Ivan, sent while he stood with his real family. "Just got out of the meeting. So exhausting. I miss you." The casual lie was the final blow. They thought I was a pathetic, grateful orphan they could control. They were about to find out just how wrong they were.

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