Melmoth the Wanderer

Melmoth the Wanderer

Charles Robert Maturin

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Melmoth the Wanderer is an 1820 Gothic novel by Irish playwright, novelist and clergyman Charles Maturin. The novel's title character is a scholar who sold his soul to the devil in exchange for 150 extra years of life, and searches the world for someone who will take over the pact for him, in a manner reminiscent of the Wandering Jew.

Preface

The hint of this Romance (or Tale) was taken from a passage in one of my Sermons, which (as it is to be presumed very few have read) I shall here take the liberty to quote. The passage is this.

'At this moment is there one of us present, however we may have departed from the Lord, disobeyed his will, and disregarded his word - is there one of us who would, at this moment, accept all that man could bestow, or earth afford, to resign the hope of his salvation? - No, there is not one - not such a fool on earth, were the enemy of mankind to traverse it with the offer!'

This passage suggested the idea of 'Melmoth the Wanderer.' The Reader will find that idea developed in the following pages, with what power or success he is to decide.

The 'Spaniard's Tale' has been censured by a friend to whom I read it, as containing too much attempt at the revivification of the horrors of Radcliffe-Romance, of the persecutions of convents, and the terrors of the Inquisition.

I defended myself, by trying to point out to my friend, that I had made the misery of conventual life depend less on the startling adventures one meets with in romances, than on that irritating series of petty torments which constitutes the misery of life in general, and which, amid the tideless stagnation of monastic existence, solitude gives its inmates leisure to invent, and power combined with malignity, the full disposition to practise. I trust this defence will operate more on the conviction of the Reader, than it did on that of my friend.

For the rest of the Romance, there are some parts of it which I have borrowed from real life.

The story of John Sandal and Elinor Mortimer is founded in fact.

The original from which the Wife of Walberg is imperfectly sketched is a living woman, and long may she live.

I cannot again appear before the public in so unseemly a character as that of a writer of romances, without regretting the necessity that compels me to it. Did my profession furnish me with the means of subsistence, I should hold myself culpable indeed in having recourse to any other, but - am I allowed the choice?

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"Let's get married," Mia declares, her voice trembling despite her defiant gaze into Stefan's guarded brown eyes. She needs this, even if he seems untouchable. Stefan raises a skeptical brow. "And why would I do that?" His voice was low, like a warning, and it made her shiver even though she tried not to show it. "We both have one thing in common," Mia continues, her gaze unwavering. "Shitty fathers. They want to take what's ours and give it to who they think deserves it." A pointed pause hangs in the air. "The only difference between us is that you're an illegitimate child, and I'm not." Stefan studies her, the heiress in her designer armor, the fire in her eyes that matches the burn of his own rage. "That's your solution? A wedding band as a weapon?" He said ignoring the part where she just referred to him as an illegitimate child. "The only weapon they won't see coming." She steps closer, close enough for him to catch the scent of her perfume, gunpowder and jasmine. "Our fathers stole our birthrights. The sole reason they betrayed us. We join forces, create our own empire that'll bring down theirs." A beat of silence. Then, Stefan's mouth curves into something sharp. "One condition," he murmurs, closing the distance. "No divorces. No surrenders. If we're doing this, it's for life" "Deal" Mia said without missing a beat. Her father wants to destroy her life. She wouldn't give him the pleasure, she would destroy her life as she seems fit. ................ Two shattered heirs. One deadly vow. A marriage built on revenge. Mia Meyers was born to rule her father's empire (so she thought), until he named his bastard son heir instead. Stefan Sterling knows the sting of betrayal too. His father discarded him like trash. Now the rivals' disgraced children have a poisonous proposal: Marry for vengeance. Crush their fathers' legacies. Never speak of divorce. Whoever cracks first loses everything. Can these two rivals, united by their vengeful hearts, pull off a marriage of convenience to reclaim what they believe is rightfully theirs? Or will their fathers' animosity, and their own complicated pasts tear their fragile alliance apart?

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