Martinz Creation
1 Published Story
Martinz Creation's Book and Story
I Bleed For You
Adventure Prologue
"Please do not leave me, not now, please, I don't want to be a widow" Lume cried her eyes out while holding onto the cheeks of her husband in her palms but the King of Akozo was dying and he wanted his Queen to run, yes, to run for her life for the Witch and her dragon were approaching and it wouldn't be long until she caught up with her and the rest. The Witch's quest was to destroy and her dragon was helping her achieve that while raining fire in the land of Akozo.
"I want you to tell the story of this day to our child whom you carry in your womb. Don't give him your tears, give him your story, that story is what he will need to motivate him to do what needs to be done. You can't tell him of what happened here today if you will not be alive to do so, so go and follow the officials, go now. I'm already a dead man"
"Why would she do this to us?!" cried Lume.
The newly married Queen, Lume sobbingly removed her lips from his mouth the moment King Zakiza breathed his last with tears in his eyes while lying amongst piles of rocks with fire raining from the shattered roof of the palace building.
"My Queen, the king is dead, we must escape now"
Queen Lume was not sure who spoke amongst the palace officials standing behind her but she knew that whoever spoke was right. The king's younger step brother had succeeded in usurping the throne of his step elder brother with the help of her Witch mother and her dragon. It was time for Queen Lume to escape if she hoped to return for a revenge. You might like
The Belladonna Game
Keena
A lie was supposed to be her weapon.
But lies can cut both ways.
Aliyah Santiago enters the Marino world with one mission uncover the truth behind her fiancé's death and make his killers bleed. Disguised as a Mafia princess, she plays the part flawlessly: poised, untouchable, dangerous. Every step she takes draws her closer to Brown Marino, the family's heir...and deeper into a labyrinth of obsession, betrayal, and power.
But one man threatens to unravel it all.
Ottavio, the Marinos' ruthless enforcer, watches her too closely. His suspicions slice through her disguise, his loyalty to Brown makes him untouchable, and yet when his hands brush hers, when his voice drops to a murmur against her ear Aliyah feels a fire she cannot control.
"You think you can lie to me, princess?"
"I've lied to everyone."
"Not to me."
Every stolen glance, every secret touch, every dangerous word exchanged pushes her closer to the edge. To fall for him would be reckless. To trust him could be fatal. But in a world where silence can kill and love is just another weapon, Aliyah must decide: is Ottavio the enemy who will expose her or the only man who can save her from herself?
Deception. Desire. Danger.
The game has begun, and in this game of Mafia thrones, hearts burn as fiercely as empires fall.
Wake Up, Dream Boy!
Mr. Ben Having some of the poems in the first edition of the poem collection, ‘The P.O.T (Poured Out Thoughts)’ published in several poetry magazines as High On Poems, Earthborne Magazine, Deadsnakes and so on, the author has ushered in the second, titled ‘The P.O.T (Poured Out Thoughts) ---The Reloaded.
It is said to be ‘reloaded’ because there are other poems to be added to make this edition slightly richer than the first. With poems as ‘Out of the Box’, ‘Dad Loves Me’, ‘Heralding God’s Magnificence’ being published in notable poetry journals and magazines, the sequel is hoped to make an impact to the entire world, beginning with the readers.
The Table of Contents has the additional poems that readers, who have read the first edition, would realize. They are intended to look into general issues, family, gender, parental, religious (Christian faith), children, love and personal/motivational.
The aim behind this piece is simple. As said in the first edition, it is about entertaining, enlightening, inspiring or motivating and enabling people think for themselves.
Worthy of Note: The author believes that subsequent edition(s) of the work would carry the above-stated aim.