J. A. MacCulloch
1 Published Story
J. A. MacCulloch's Book and Story
The Religion of the Ancient Celts
Literature To summon a dead religion from its forgotten grave and to make it tell its story, would require an enchanter's wand. Other old faiths, of Egypt, Babylon, Greece, Rome, are known to us. But in their case liturgies, myths, theogonies, theologies, and the accessories of cult, remain to yield their report of the outward form of human belief and aspiration. How scanty, on the other hand, are the records of Celtic religion! The bygone faith of a people who have inspired the world with noble dreams must be constructed painfully, and often in fear and trembling, out of fragmentary and, in many cases, transformed remains.We have the surface observations of classical observers, dedications in the Romano-Celtic area to gods mostly assimilated to the gods of the conquerors, figured monuments mainly of the same period, coins, symbols, place and personal names. For the Irish Celts there is a mass of written material found mainly in eleventh and twelfth century MSS. Much of this, in spite of alteration and excision, is based on divine and heroic myths, and it also contains occasional notices of ritual. From Wales come documents like the Mabinogion, and strange poems the personages of which are ancient gods transformed, but which tell nothing of rite or cult. Valuable hints are furnished by early ecclesiastical documents, but more important is existing folk-custom, which preserves so much of the old cult, though it has lost its meaning to those who now use it. Folk-tales may also be inquired of, if we discriminate between what in them is Celtic and what is universal. Lastly, Celtic burial-mounds and other remains yield their testimony to ancient belief and custom.From these sources we try to rebuild Celtic paganism and to guess at its inner spirit, though we are working in the twilight on a heap of fragments. No Celt has left us a record of his faith and practice, and the unwritten poems of the Druids died with them. Yet from these fragments we see the Celt as the seeker after God, linking himself by strong ties to the unseen, and eager to conquer the unknown by religious rite or magic art. For the things of the spirit have never appealed in vain to the Celtic soul, and long ago classical observers were struck with the religiosity of the Celts. They neither forgot nor transgressed the law of the gods, and they thought that no good befell men apart from their will. The submission of the Celts to the Druids shows how they welcomed authority in matters of religion, and all Celtic regions have been characterised by religious devotion, easily passing over to superstition, and by loyalty to ideals and lost causes. The Celts were born dreamers, as their exquisite Elysium belief will show, and much that is spiritual and romantic in more than one European literature is due to them. You might like
The Blood Ship
Norman Springer It was the writing guy who drew this story out of Captain Shreve. He talked so much I think the Old Man spun the yarn just to shut him up. He had talked ever since his arrival on board, early that morning, with a letter from the owners' agent, and the announcement he intended making the voyage with us. He had weak lungs, he said, and was in search of mild, tropical breezes. Also, he was seeking local color, and whatever information he could pick up about "King" Waldon.He had heard of the death of "King" Waldon, down in Samoa—Waldon, the trader, of the vanishing race of island adventurers—and he expected to travel about the south seas investigating the "king's" past, so he could write a book about the old viking. He had heard that Captain Shreve had known Waldon. Hence, he was honoring a cargo carrier with his presence instead of taking his ease upon a mail-boat.Captain Shreve must tell him all he knew about the "king." He was intensely interested in the subject. Splendid material, you know. That romantic legend of Waldon's arrival in the islands—too good to be true, and certainly too good not to put into a book. Was Captain Shreve familiar with the tale? How this fellow, Waldon, sailed into a Samoan harbor in an open boat, his only companion his beautiful young wife? Imagine—this man and woman coming from nowhere, sailing in from the open sea in a small boat, never telling whence they came!He said this was the stuff to go into his book. Romance, mystery! It was quite as important as the later and better known incidents in the "king's" life. That was why Captain Shreve must tell him all he knew about the fellow. If he could only get at the beginning of the "king's" career in the islands. Where did the fellow come from? Why should a man bring his bride into an uncivilized and lawless section of the world, and settle down for life? There must be a story in that. Ah, yes, and he was the man who could properly do it. The Talisman
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