George Coffey
1 Published Story
George Coffey's Book and Story
The Bronze Age in Ireland
Literature This book deals with the Bronze Age principally from the point of view of the implements and weapons in use in Ireland during that period. It is unnecessary to state that the materials for writing anything like a full account of the civilization or political organization during the Bronze Age do not exist; and even the ethnological affinities of the dominant race that inhabited Ireland during this period are doubtful. All that can be said is that there was apparently no gap between the end of the Neolithic Period and the transitional Copper to Bronze Period. Stone weapons continued in use side by side with those of copper and bronze; and the form of the former was sometimes actually influenced by those of the latter. There has been so little scientific excavation in Ireland that the question as to the early burial-customs is surrounded with difficulty; such evidence as there is, points to cremation having been practised early, as was also the case in Great Britain. Instances show that the two rites of inhumation and cremation were practised side by side. In the cairn excavated on Belmore Mountain, County Fermanagh, both burnt and unburnt interments were found with pottery and other objects of early Bronze-Age type.[1] At a recent excavation near Naas, County Kildare, a burnt interment was discovered in a cist, the remains being associated with a wrist-bracer and remains of pottery.[2] In the fine series of cairns on Carrowkeel Mountain, County Sligo, burnt and unburnt interments were found associated with pottery, bone implements, and stone beads.[3] At Annaghkeen, County Galway, a cremated burial was discovered in a cist associated with pottery and a small bronze knife-dagger and awl.[4] The Hon. John Abercromby gives a list of food-vessels found with cremated burials in Ireland, and to these must be added a food-vessel of early type found in 1912 in a quarry at Crumlin, County Dublin. It must, however, be left for future excavations to decide many questions to which at present no answer, or only a doubtful one, can be given. This, however, is certain—Ireland during the Bronze Age was not isolated, but stood in direct communication with the Continent. Ægean and Scandinavian influences can be detected in the great tumuli of the New Grange group[5]; and Iberian influence is discernible in some of the later types of bronze implements. Ireland, as will be shown in the chapters dealing directly with the gold objects, was, during the Bronze Age, a kind of western El Dorado, owing to her great richness in gold; Irish gold ornaments have been found both on the Continent and in Scandinavia; while Scandinavian amber has been found in Ireland. As will be seen on p. 81, the Bronze-Age people were acquainted with the art of weaving; and fine ornaments of horse-hair were sometimes used. The art of making pottery by hand was carried to a high degree of excellence. Shaving must have been fairly common, judging by the number of bronze razors found. We shall find evidence further on in this work to show that corn was probably grown and agriculture fairly advanced. You might like
The Blood Ship
Norman Springer It was the writing guy who drew this story out of Captain Shreve. He talked so much I think the Old Man spun the yarn just to shut him up. He had talked ever since his arrival on board, early that morning, with a letter from the owners' agent, and the announcement he intended making the voyage with us. He had weak lungs, he said, and was in search of mild, tropical breezes. Also, he was seeking local color, and whatever information he could pick up about "King" Waldon.He had heard of the death of "King" Waldon, down in Samoa—Waldon, the trader, of the vanishing race of island adventurers—and he expected to travel about the south seas investigating the "king's" past, so he could write a book about the old viking. He had heard that Captain Shreve had known Waldon. Hence, he was honoring a cargo carrier with his presence instead of taking his ease upon a mail-boat.Captain Shreve must tell him all he knew about the "king." He was intensely interested in the subject. Splendid material, you know. That romantic legend of Waldon's arrival in the islands—too good to be true, and certainly too good not to put into a book. Was Captain Shreve familiar with the tale? How this fellow, Waldon, sailed into a Samoan harbor in an open boat, his only companion his beautiful young wife? Imagine—this man and woman coming from nowhere, sailing in from the open sea in a small boat, never telling whence they came!He said this was the stuff to go into his book. Romance, mystery! It was quite as important as the later and better known incidents in the "king's" life. That was why Captain Shreve must tell him all he knew about the fellow. If he could only get at the beginning of the "king's" career in the islands. Where did the fellow come from? Why should a man bring his bride into an uncivilized and lawless section of the world, and settle down for life? There must be a story in that. Ah, yes, and he was the man who could properly do it. The Talisman
Walter Scott "The Talisman" is a novel by Sir Walter Scott. It was published in 1825 as the second of his "Tales of the Crusaders", the first being "The Betrothed". "The Talisman" takes place at the end of the Third Crusade, mostly in the camp of the Crusaders in Palestine. Scheming and partisan politics, as well as the illness of King Richard the Lionheart, are placing the Crusade in danger. The main characters are the Scottish knight Kenneth, who is a fictional character version of David of Scotland, Earl of Huntingdon, who did in fact return from the third Crusade in 1190, Richard the Lionheart, Saladin, and Edith