Lysander Spooner
1 Published Story
Lysander Spooner's Book and Story
An Essay on the Trial By Jury
Literature Excerpt: ...between the two judgments. In the civil suit, the law is declared to be obligatory upon A; in the criminal suit, the same law is declared to be of no obligation. It would be a solecism and absurdity in government to allow such consequences as these. Besides, it would be practically impossible to maintain government on such principles; for no government could enforce its civil judgments, unless it could support them by criminal ones, in case of resistance. A jury must therefore be paramount to legislation in both civil and criminal cases, or in neither. If they are paramount in neither, they are no protection to liberty. If they are paramount in both, then all legislation goes only for what it may chance to be worth in the estimation of a jury. Another reason why Magna Carta makes the discretion and consciences of juries paramount to all legislation in civilsuits, is, that if legislation were binding upon a jury, the jurors (by reason of their being unable to read, as jurors in those days were, and also by reason of many of the statutes being unwritten, or at least not so many copies written as that juries could be supplied with them) would have been necessitated at least in those courts in which the king's justices sat to take the word of those justices as to what the laws of the king really were. In other words, they would have been necessitated to take the law from the court, as jurors do now. Now there were two reasons why, as we may rationally suppose, the people did not wish juries to take their law from the king's judges. One was, that, at that day, the people probably had sense enough to see, (what we, at this day, have not sense enough to see, although we have the evidence of it every day before our eyes, ) that those judges, being dependent upon the legislative power, (the king, ) being appointed by it, paid by it, and removable by it at pleasure, would be mere tools of that power, and would hold all its legislation obligatory, whether it. You might like
The Blood Ship
Norman Springer It was the writing guy who drew this story out of Captain Shreve. He talked so much I think the Old Man spun the yarn just to shut him up. He had talked ever since his arrival on board, early that morning, with a letter from the owners' agent, and the announcement he intended making the voyage with us. He had weak lungs, he said, and was in search of mild, tropical breezes. Also, he was seeking local color, and whatever information he could pick up about "King" Waldon.He had heard of the death of "King" Waldon, down in Samoa—Waldon, the trader, of the vanishing race of island adventurers—and he expected to travel about the south seas investigating the "king's" past, so he could write a book about the old viking. He had heard that Captain Shreve had known Waldon. Hence, he was honoring a cargo carrier with his presence instead of taking his ease upon a mail-boat.Captain Shreve must tell him all he knew about the "king." He was intensely interested in the subject. Splendid material, you know. That romantic legend of Waldon's arrival in the islands—too good to be true, and certainly too good not to put into a book. Was Captain Shreve familiar with the tale? How this fellow, Waldon, sailed into a Samoan harbor in an open boat, his only companion his beautiful young wife? Imagine—this man and woman coming from nowhere, sailing in from the open sea in a small boat, never telling whence they came!He said this was the stuff to go into his book. Romance, mystery! It was quite as important as the later and better known incidents in the "king's" life. That was why Captain Shreve must tell him all he knew about the fellow. If he could only get at the beginning of the "king's" career in the islands. Where did the fellow come from? Why should a man bring his bride into an uncivilized and lawless section of the world, and settle down for life? There must be a story in that. Ah, yes, and he was the man who could properly do it. The Talisman
Walter Scott "The Talisman" is a novel by Sir Walter Scott. It was published in 1825 as the second of his "Tales of the Crusaders", the first being "The Betrothed". "The Talisman" takes place at the end of the Third Crusade, mostly in the camp of the Crusaders in Palestine. Scheming and partisan politics, as well as the illness of King Richard the Lionheart, are placing the Crusade in danger. The main characters are the Scottish knight Kenneth, who is a fictional character version of David of Scotland, Earl of Huntingdon, who did in fact return from the third Crusade in 1190, Richard the Lionheart, Saladin, and Edith 
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