Rosé

No Longer Mrs. Cooley: The Architect's Return

Xiao Xiaosu

I went to the City Clerk's office for a routine copy of my marriage license to finalize a trust fund audit. I expected a simple piece of paper, but the clerk's pitying look told me my entire life was a lie. "The license was never finalized, Ms. Oliver. In the eyes of the state, you are single." The three-hundred-guest wedding at the Plaza and the Vogue features meant nothing. My husband, Gray Cooley, had intentionally filed the documents with a "procedural defect" so he could discard me without a legal divorce. Moments later, an iCloud invite titled "Our Little Secret" popped up on my screen. It was a photo of my best friend, Brylee, holding a positive pregnancy test at our Hamptons estate. Gray's text to her was the final blow: "Happy anniversary, babe. This baby is the best gift. Once the trust unlocks today, we're done with the charade." I soon discovered they were even stealing my career, reassigning my architectural masterpiece to Brylee while preparing my eviction notice. Gray's mother called me a "barren mule" in a leaked recording, mocking the infertility I suffered after saving Gray's life in a construction accident. I wasn't a wife; I was a three-year placeholder used to secure his inheritance. How could the man I bled for treat me like a disposable prop? How could my best friend carry his child while pretending to comfort me through my darkest moments? The betrayal burned until it turned into a cold, hard stone of fury. I didn't cry. Instead, I walked into the penthouse of the Barretts, the Cooleys' most powerful rivals. I signed a marriage contract with Kane Barrett, the man the tabloids called the "Beast of Wall Street." "I want a wedding," I told his father, my voice steady and lethal. "Bigger than the one I had with Gray." If they wanted me gone, they would have to watch me become the woman who owns their world.

Modern Revenge Divorce

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< Serena >

Paintings.

I always love them. Whenever there was an art show near Manhattan, I make it a point to go, check the artworks and possibly buy one. Or two. Or three of them.

What I look for in a painting are the strokes the painter uses, the use of colors and how they blend in with the picture in general, and of course, the drawing.

I'm a sucker for fantasy-inspired paintings. Fantastical landscapes, still pictures, mythical creatures, men and women wearing weird clothing, oh yes. I collect them all. They always reach out to a part of my soul that I had been guarding since I lost my parents. They always call out to a part of me that I'm not sure what.

Maybe, my parents as painters could be a reason. They influenced my tastes after all. But deep inside me, I knew there was always something special about these type of paintings that I couldn't quite figure out.

One rainy day, I ran across an antique shop in downtown Manhattan about to be closed by the bank for bankruptcy. The different antique displays were spread all over the street in the hopes that some passers-by would still buy them.

I caught sight of a beautiful painting of a landscape. Breathtaking it was and purely, for lack of a better word, out-of-this-world. The painting showed a mountain range with its slopes covered in autumn trees. In the center of this mountain range, just nestled on top the hill, was a silver castle. The details were extraordinary. Magical even. I couldn't resist its call, so in the end, I bought it. Plus, I didn't want it to be wet with the rain. I wanted to give it a home.

The antique shop owner, an old lady probably in her late sixties, was gracious enough to give me a discount considering the painting had smudges on the edges due to its aged state. I was kind enough to refuse it. If she was in bankruptcy, at least my full payment of the painting would help her in some way.

"May the magic be with you always, " she said with a smile as we parted.

I just shrugged my shoulders never really thinking much of about her words.

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