A History of Roman Literature From the Earliest Period to the Death of Marcus Aurelius by Charles Thomas Cruttwell
The question, Who were the earliest inhabitants of Italy? is one that cannot certainly be answered. That some lower race, analogous to those displaced in other parts of Europe [1] by the Celts and Teutons, existed in Italy at a remote period is indeed highly probable; but it has not been clearly demonstrated.
At the dawn of the historic period, we find the Messapian and Iapygian races inhabiting the extreme south and south-west of Italy; and assuming, as we must, that their migrations had proceeded by land across the Apennines, we shall draw the inference that they had been gradually pushed by stronger immigrants into the furthest corner of the Peninsula. Thus we conclude with Mommsen that they are to be regarded as the historical aborigines of Italy. They form no part, however, of the Italian race. Weak and easily acted upon, they soon ceased to have any influence on the immigrant tribes, and within a few centuries they had all but disappeared as a separate nation. The Italian races, properly so called, who possessed the country at the time of the origin of Rome, are referable to two main groups, the Latin and the Umbrian. Of these, the Latin was numerically by far the smaller, and was at first confined within a narrow and somewhat isolated range of territory. The Umbrian stock, including the Samnite or Oscan, the Volscian and the Marsian, had a more extended area. At one time it possessed the district afterwards known as Etruria, as well as the Sabellian and Umbrian territories. Of the numerous dialects spoken by this race, two only are in some degree known to us (chiefly from inscriptions) the Umbrian and the Oscan. These show a close affinity with one another, and a decided, though more distant, relationship with the Latin. All three belong to a well-marked division of the Indo-European speech, to which the name of Italic is given. Its nearest congener is the Hellenic, the next most distant being the Celtic. The Hellenic and Italic may thus be called sister languages, the Celtic standing in the position of cousin to both, though, on the whole, more akin to the Italic. [2]
The Etruscan language is still a riddle to philologists, and until it is satisfactorily investigated the ethnological position of the people that spoke it must be a matter of dispute. The few words and forms which have been deciphered lend support to the otherwise more probable theory that they were an Indo-Germanic race only remotely allied to the Italians, in respect of whom they maintained to quite a late period many distinctive traits. [3] But though the Romans were long familiar with the literature and customs of Etruria, and adopted many Etruscan words into their language, neither of these causes influenced the literary development of the Romans in any appreciable degree. Italian philology and ethnology have been much complicated by reference to the Etruscan element. It is best to regard it, like the Iapygian, as altogether outside the pale of genuine Italic ethnography.
The main points of correspondence between the Italic dialects as a whole, by which they are distinguished from the Greek, are as follow:-Firstly, they all retain the spirants S, J (pronounced Y), and V, e.g. sub, vespera, janitrices, beside upo, espera, einateres. Again, the Italian u is nearer the original sound than the Greek. The Greeks sounded u like ii, and expressed the Latin u for the most part by ou. On the other hand the Italians lost the aspirated letters th, ph, ch, which remain in Greek, and frequently omitted the simple aspirate. They lost also the dual both in nouns and verbs, and all but a few fragmentary forms of the middle verb. In inflexion they retain the sign of the ablative (d), and, at least in Latin, the dat. plur. in bus. They express the passive by the letter r, a weakened form of the reflexive, the principle of which is reproduced in more than one of the Romance languages.
On the other hand, Latin differs from the other Italian dialects in numerous points. In pronouns and elsewhere Latin q becomes p in Umbrian and Oscan (pis = quis). Again, Oscan had two vowels more than Latin and was much more conservative of diphthongal sounds; it also used double consonants, which old Latin did not. The Oscan and Umbrian alphabets were taken from the Etruscan, the Latin from the Greek; hence the former lacked O Q X, and used [Symbol] or [Symbol] (san or soft z) for z (zeta = ds). They possessed the spirant F which they expressed by [Symbol] and used the symbol [Symbol] to denote V or W. They preserved the old genitive in as or ar (Lat. ai, ae) and the locative, both which were rarely found in Latin; also the Indo-European future in so (didest, herest) and the infin. in um (e.g. ezum = esse).
The old Latin alphabet was taken from the Dorian alphabet of Cumae, a colony from Chaleis, and consisted of twenty-one letters, A B C D E F Z H I K L M N O P Q R S T V X, to which the original added three more, O or [Symbol] (th), [Symbol] (ph), and [Symbol] (ch). These were retained in Latin as numerals though not as letters, [Symbol] in the form of C=100, [Symbol] or M as 1000, and [Symbol] or L as 50.
Of these letters Z fell out of use at an early period, its power being expressed by S (Saguntum = Zákunthos) or SS (massa = máza). Its rejection was followed by the introduction, of G. Plutarch ascribes this change to Sp. Carvilius about 231 B.C., but it is found on inscriptions nearly fifty years earlier. [4] In many words C was written for G down to a late period, e.g. CN. was the recognised abbreviation for Gnaeus.
In Cicero's time Z was taken into use again as well as the Greek Y, and the Greek combinations TH, PH, CH, chiefly for purposes of transliteration. The Emperor Claudius introduced three fresh symbols, two of which appear more or less frequently on monuments of his time. They are [Symbol] or [Symbol], the inverted digamma, intended to represent the consonantal V: [Symbol], or anti-sigma, to represent the Greek psi, and [Symbol] to represent the Greek upsilon with the sound of the French u or German ü. The second is not found in inscriptions.
Other innovations were the doubling of vowels to denote length, a device employed by the Oscans and introduced at Rome by the poet Accius, though Quintilian [5] implies that it was known before his time, and the doubling of consonants which was adopted from, the Greek by Ennius. In Greek, however, such doubling generally, though not always, has a philological justification. [6]
The pronounciation of Latin has recently been the subject of much discussion. It seems clear that the vowels did not differ greatly, if at all, from the same as pronounced by the modern Italians. The distinction between E and I, however, was less clearly marked, at least in the popular speech. Inscriptions and manuscripts afford abundant instances of their confusion. Menerva leber magester are mentioned by Quintilian, [7] and the employment of ei for the i of the dat. pl. of nouns of the second declension and of nobis vobis, and of e and i indifferently for the acc. pl. of nouns of the third declension, attest the similarity of sound. That the spirant J was in all cases pronounced as Y there is scarcely room for doubt. The pronunciation of V is still undetermined, though there is a great preponderance of evidence in favour of the W sound having been the original one. After the first century A.D. this semi-vowel began to develop into the labiodental consonant v, the intermediate stage being a labial v, such as one may often hear in South Germany at the present day, and which to ordinary ears would seem undistinguishable from w.
There is little to remark about the other letters, except that S, N, and M became very weak when final and were often entirely lost. S was rehabilitated in the literary dialect in the time of Cicero, who speaks of the omission to reckon it as subrusticum; but final M is always elided before a vowel. An illustration of the way in which final M and N were weakened may be found in the nasalised pronunciation of them in modern French (main, faim). The gutturals C and G have by some been supposed to have had from the first a soft sibilant sound before E and I; but from the silence of all the grammarians on the subject, from the transcriptions of C in Greek by kappa, not sigma or tau, and from the inscriptions and MSS. of the best ages not confusing CI with TI, we conclude that at any rate until 200 A.D. C and G were sounded hard before all vowels. The change operated quickly enough afterwards, and to a great extent through the influence of the Umbrian which had used d or ? before E and I for some time.
In spelling much irregularity prevailed, as must always be the case where there is no sound etymological theory on which to base it. In the earliest inscriptions we find many inconsistencies. The case-signs m, d, are sometimes retained, sometimes lost. In the second Scipionic epitaph we have oino (unum) side by side with Luciom. In the Columna Rostrata (260 B.C.) we have c for g, single instead of double consonants, et for it in ornavet, and o for u in terminations, all marks of ancient spelling, contrasted with maximos, maxumos; navebos, navebous; praeda, and other inconsistent or modern forms. Perhaps a later restoration may account for these. In the decree of Aemilius, posedisent and possidere are found. In the Lex Agraria we have pequnia and pecunia, in S. C. de Bacchanalibus, senatuos and nominus (gen. sing.), consoluerunt and cosoleretur, &c., showing that even in legal documents orthography was not fixed. It is the same in the MSS. of ancient authors. The oldest MSS. of Plautus, Lucretius, and Virgil, are consistent in a considerable number of forms with themselves and with each other, but vary in a still larger number. In antiquity, as at present, there was a conflict between sound and etymology. A word was pronounced in one way; science suggested that it ought to be written in another. This accounts for such variations as inperium, imperium; atque, adque; exspecto, expecto; and the like (cases like haud, haut; saxum, saxsum; are different). The best writers could not decide between these conflicting forms. A still greater fluctuation existed in English spelling in the seventeenth and eighteenth centuries, [8] but it has since been overcome. Great writers sometimes introduced spellings of their own. Caesar wrote Pompeiii (gen. sing.) for Pompeii, after the Oscan manner. He also brought the superlative simus into use. Augustus, following in his steps, paid great attention to orthography. His inscriptions are a valuable source of evidence for ascertaining the correctest spelling of the time. During and after the time of Claudius affected archaisms crept in, and the value both of inscriptions and MSS. is impaired, on the one hand, by the pedantic endeavour to bring spelling into accord with archaic use or etymology, and, on the other, by the increasing frequency of debased and provincial forms, which find place even in authoritative documents. In spite of the obscurity of the subject several principles of orthography have been definitely established, especially with regard to the older Latin, which will guide future editors. And the labours of Ritschl, Corssen, and many others, cannot fail to bring to light the most important laws of variability which have affected the spelling of Latin words, so far as the variation has not depended on mere caprice. [9]
With these preliminary remarks we may turn to the chief monuments of the old language, the difficulties and uncertainties of which have been greatly diminished by recent research. They are partly inscriptions (for the oldest period exclusively so), and partly public documents, preserved in the pages of antiquarians. Much may be learnt from the study of coins, which, though less ancient than some of the written literature, are often more archaic in their forms. The earliest of the existing remains is the song of the Arval Brothers, an old rustic priesthood (qui sacra publica faciunt propterea ut fruges ferant arva), [10] dating from the times of the kings. This fragment was discovered at Rome in 1778, on a tablet containing the acts of the sacred college, and was supposed to be as ancient as Romulus. The priesthood was a highly honourable office, its members were chosen for life, and emperors are mentioned among them. The yearly festival took place in May, when the fruits were ripe, and consisted in a kind of blessing of the first-fruits. The minute and primitive ritual was evidently preserved from very ancient times, and the hymn, though it has suffered in transliteration, is a good specimen of early Roman worship, the rubrical directions to the brethren being inseparably united with the invocation to the Lares and Mars. According to Mommsen's division of the lines, the words are-
ENOS, LASES, IUVATE, (ter)
NEVE LUE RUE, MARMAR, SINS (V. SERS) INCURRERE IN PLEORES. (ter)
SATUR FU, FERE MARS. LIMEN SALI. STA. BERBER. (ter)
SEMUNIS ALTERNEI ADVOCAPIT CONCTOS. (ter)
ENOS, MARMOR, IUVATO. (ter)
TRIUMPE. (Quinquies)
The great difference between this rude dialect and classical Latin is easily seen, and we can well imagine that this and the Salian hymn of Numa were all but unintelligible to those who recited them. [11] The most probable rendering is as follows:-"Help us, O Lares! and thou, Marmar, suffer not plague and ruin to attack our folk. Be satiate, O fierce Mars! Leap over the threshold. Halt! Now beat the ground. Call in alternate strain upon all the heroes. Help us, Marmor. Bound high in solemn measure." Each line was repeated thrice, the last word five times.
As regards the separate words, enos, which should perhaps be written e nos, contains the interjectional e, which elsewhere coalesces with vocatives. [12] Lases is the older form of Lares. Lue rue = luem ruem, the last an old word for ruinam, with the case-ending lost, as frequently, and the copula omitted, as in Patres Conscripti, &c. Marmar, Marmor, or Mamor, is the reduplicated form of Mars, seen in the Sabine Mamers. Sins is for sines, as advocapit for advocabitis. [13] Pleores is an ancient form of plures, answering to the Greek pleionas in form, and to tous pollous, "the mass of the people" in meaning. Fu is a shortened imperative. [14] Berber is for verbere, imper. of the old verbero, is, as triumpe from triumpere = triumphare. Semunes from semo (se-homo "apart from man") an inferior deity, as we see from the Sabine Semo Sancus (= Dius Fidius). Much of this interpretation is conjectural, and other views have been advanced with regard to nearly every word, but the above given is the most probable.
The next fragment is from the Salian hymn, quoted by Varro. [15] It appears to be incomplete. The words are:
"Cozeulodoizeso. Omnia vero adpatula coemisse iamcusianes duo misceruses dun ianusve vet pos melios eum recum...," and a little further on, "divum empta cante, divum deo supplicante."
The most probable transcription is:
"Chorauloedus ero; Omnia vero adpatula concepere Iani curiones. Bonus creator es. Bonus Janus vivit, quo meliorem regum [terra Saturnia vidit nullum]"; and of the second, "Deorum impetu canite, deorum deum suppliciter canite."
Here we observe the ancient letter z standing for s and that for r, also the word cerus masc. of ceres, connected with the root creare. Adpatula seems = clara. Other quotations from the Salian hymns occur in Festus and other late writers, but they are not considerable enough to justify our dwelling upon them. All of them will be found in Wordsworth's Fragments and Specimens of early Latin.
There are several fragments of laws said to belong to the regal period, but they have been so modernised as to be of but slight value for the purpose of philological illustration. One or two primitive forms, however, remain. In a law of Romulus, we read Si nurus ... plorassit ... sacra divis parendum estod, where the full form of the imperative occurs, the only instance in the whole range of the language. [16] A somewhat similar law, attributed to Numa, contains some interesting forms:
"Si parentem puer verberit asi ole plorasit, puer divis parentum
verberat? ille ploraverit diis
sacer esto."
Much more interesting are the scanty remains of the Laws of the Twelve Tables (451, 450 B.C.). It is true we do not possess the text in its original form. The great destruction of monuments by the Gauls probably extended to these important witnesses of national progress. Livy, indeed, tells us that they were recovered, but it was probably a copy that was found, and not the original brass tables, since we never hear of these latter being subsequently exhibited in the sight of the people. Their style is bold and often obscure, owing to the omission of distinctive pronouns, though doubtless this obscurity would be greatly lessened if we had the entire text. Connecting particles are also frequently omitted, and the interdependence of the moods is less developed than in any extant literary Latin. For instance, the imperative mood is used in all cases, permissive as well as jussive, Si nolet arceram ne sternito, "If he does not choose, he need not procure a covered car." The subjunctive is never used even in conditionals, but only in final clauses. Those which seem to be subjunctives are either present indicatives (e.g. escit, vindicit) or second futures (e.g. faxit, rupsit.). The ablative absolute, so strongly characteristic of classical Latin, is never found, or only in one doubtful instance. The word igitur occurs frequently in the sense of "after that," "in that case," a meaning which it has almost lost in the literary dialect. Some portion of each Table is extant. We subjoin an extract from the first.
"1. Si in ius vocat, ito. Ni it, antestamino: igitur em capito. Si calvitur antestetur postea eum frustratur
pedemve struit, manum endo iacito
iniicito
Chapter 1 ON THE EARLIEST REMAINS OF THE LATIN LANGUAGE.
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Chapter 2 Ni pacunt, in comitio aut in foro ante
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Chapter 3 Sc. arf. M. Claudi(us) M. f.
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Chapter 4 Sei ques esent quei
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Chapter 5 Romam venirent deque eeis rebus,
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Chapter 6 No.6
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Chapter 7 Latini neve socium quisquam, nisei
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Chapter 8 No.8
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Chapter 9 Magister neque vir neque mulier
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Chapter 10 No.10
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Chapter 11 Neve posthac inter sed
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Chapter 12 Sacra in oquoltod ne quisquam
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Chapter 13 C adesent, uom es
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Chapter 14 Homines plous V oinversei virei atque mulieres sacra ne quisquam
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Chapter 15 Haice utei in coventionid exdeicatis ne minus trinum noundinum
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Chapter 16 Sei ques esent, quei arvorsum ead fecisent, quam suprad scriptum
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Chapter 17 No.17
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Chapter 18 No.18
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Chapter 19 No.19
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Chapter 20 The whole is given by P. Du Mesnil in his work on the doctrine of the Church.
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Chapter 21 No.21
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Chapter 22 SENECA.
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Chapter 23 No.23
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Chapter 24 No.24
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Chapter 25 No.25
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Chapter 26 No.26
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Chapter 27 No.27
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Chapter 28 What were the Collegia poetarum In what connection are they mentioned
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Chapter 29 What methods of appraising literary work existed at Rome Was there anything analogous to our review system If so, how did it differ at different epochs
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Chapter 30 of History, Preface).
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Chapter 31 The material splendour of imperial Rome as affecting literary genius. (Contrast the Speech of Pericles. Thuc. ii. 37, sqq.)
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Chapter 32 ). Can this encomium be justified If so, show how.
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Chapter 33 Is the true end of poetry to occupy a vacant hour Illustrate by the chief Roman poets.
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Chapter 34 What is the permanent contribution to human progress given by Latin literature
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Chapter 35 What sources of information were at Livy's command in writing his history Did he rightly appreciate their relative value
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Chapter 36 What influence did the old Roman system have in repressing poetical ideas
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Chapter 37 In what sense is it true that the intellectual progress of a nation is measured by its prose writers
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Chapter 38 Illustrate from Roman literature.
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Chapter 39 Is there any reason for thinking that it was once subjected to different rules
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Chapter 40 How far is this criticism sound
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